Johann Sebastan Bach – Trascrizioni per chitarra a otto corde – Daniel Estrem

The more I study and play the music of J. S. Bach the more I realize how incredibly adept he was at assimilating a variety of styles and somehow making it all his own. Each piece has its own unique flavor and when listening to a lot of western music written after Bach’s time (regardless of genre) much of it seems to be derived from the master.

The 8-string allowed me to preserve the intervals and keep the music true to the composer’s intentions. The only way for me to maintain Bach’s polyphonic lines was to multi-track 2 or 3 parts. Most of the pieces required the time-consuming task of transposing the music into guitar-compatible keys. I used an 8-string guitar made by Stephen Kakos for the lower notes and a 6-string guitar made by German Vazquez Rubio for the higher end.

Vol. 1

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[hifi lofi] 01-Jesu Joy of Man’s Desiring from Cantata BWV 147 (3:24)
[hifi lofi] 02-Gavotte from French Suite No.5 BWV 816 (1:22)
[hifi lofi] 03-Allemande from French Suite No.5 BWV 816 (3:16)
[hifi lofi] 04-Sinfonia 11 BWV 797 (3:25)
[hifi lofi] 05-Sleepers Awake (Wachet Auf) BWV 645 (3:28)
[hifi lofi] 06-Sinfonia 2 BWV 788 (2:28)
[hifi lofi] 07-Air on the G String from Orchestral Suite No 3 BWV 1068 (4:14)
[hifi lofi] 08-Invention 4 BWV 775 (1:07)
[hifi lofi] 09-Prelude 1 Book 1 Well-Tempered Clavier BWV 846 (2:08)
[hifi lofi] 10-Invention 6 BWV 777 (2:53)
[hifi lofi] 11-Sarabande from French Overture BWV 831 (3:01)
[hifi lofi] 12-Bourree 1 and 2 from French Overture BWV 831 (3:22)
[hifi lofi] 13-Arioso Sinfonia from Cantata BWV 156 (3:44)
[hifi lofi] 14-Sinfonia 13 BWV 799 (2:07)
[hifi lofi] 15-Ich Ruf Zu Dir BWV 639 (2:45)
[hifi lofi] 16-Sheep May Safely Graze from Cantata BWV 208 (4:56)
[hifi lofi] 17-Prelude 12 Book 1 WTC BWV 857 (3:49)
[hifi lofi] 18-Bourree 1 and 2 from English Suite No.2 BWV 807 (5:53)
[hifi lofi] 19-Sarabande from English Suite No.2 BWV 807 (2:56)
[hifi lofi] 20-Gigue from English Suite No.2 BWV 807 (1:48)
[hifi lofi] 21-Aria from Goldberg Variations BWV 988 (3:09)
[hifi lofi] 22-Variation 1 from Goldberg Variations BWV 988 (2:37)
[hifi lofi] 23-Sinfonia 7 BWV 793 (2:29)
[hifi lofi] 24-Minuet from Anna Magdalena notebook (1725) BWV Anh 118 (1:09)
[hifi lofi] 25-Fantasie BWV 904 (3:50)


JS Bach on 8 string guitar, vol 1 by Daniel Estrem

 

Vol. 2

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[hifi lofi] 01-Prelude 9 Book 2 Well-Tempered Clavier BWV 878 (3:49)
[hifi lofi] 02-Prelude 18 Book 2 Well-Tempered Clavier BWV 887 (4:16)
[hifi lofi] 03-Siciliano from Flute Sonata No 2 BWV 1031 (3:31)
[hifi lofi] 04-Prelude 10 Book 1 Well-Tempered Clavier BWV 855 (2:32)
[hifi lofi] 05-Prelude 9 Book 1 Well-Tempered Clavier BWV 854 (1:18)
[hifi lofi] 06-Prelude 22 Book 1 Well-Tempered Clavier BWV 867 (3:19)
[hifi lofi] 07-Prelude 21 Book 2 Well-Tempered Clavier BWV 890 (4:39)
[hifi lofi] 08-Prelude 2 Book 1 Well-Tempered Clavier BWV 847 (2:10)
[hifi lofi] 09-Fugue 2 Book 1 Well-Tempered Clavier BWV 847 (1:58)
[hifi lofi] 10-Prelude 16 Book 1 Well-Tempered Clavier BWV 861 (2:18)
[hifi lofi] 11-Andante from Italian Concerto BWV 971 (5:12)
[hifi lofi] 12-Prelude 3 Book 2 Well-Tempered Clavier BWV 872 (1:53)
[hifi lofi] 13-Prelude 8 Book 1 Well-Tempered Clavier BWV 853 (3:44)
[hifi lofi] 14-Prelude 19 Book 2 Well-Tempered Clavier BWV 888 (1:48)
[hifi lofi] 15-Prelude 4 Book 1 Well-Tempered Clavier BWV 849 (3:14)
[hifi lofi] 16-Prelude 7 Book 2 Well-Tempered Clavier BWV 876 (2:39)
[hifi lofi] 17-Prelude 4 Book 2 Well-Tempered Clavier BWV 873 (4:24)
[hifi lofi] 18-Prelude 6 Book 1 Well-Tempered Clavier BWV 851 (2:04)
[hifi lofi] 19-Prelude 18 Book 1 Well-Tempered Clavier BWV 863 (1:41)
[hifi lofi] 20-Prelude 24 Book 2 Well-Tempered Clavier BWV 893 (2:51)
[hifi lofi] 21-Prelude 14 Book 2 Well-Tempered Clavier BWV 883 (3:15)
[hifi lofi] 22-In dir ist Freude (In Thee is Gladness) BWV 615 (2:41)
[hifi lofi] 23-Prelude 12 Book 2 Well-Tempered Clavier BWV 881 (3:23)
[hifi lofi] 24-Ich Habe Genug (My life is fulfilled) Aria excerpt BWV 82 (3:57)
[hifi lofi] 25-Ave Maria (Bach Gounod) (3:22)
[hifi lofi] 26-Prelude 23 Book 1 Well-Tempered Clavier BWV 868 (1:06)

 


JS Bach on 8 string guitar, vol 2 by Daniel Estrem

Débussy per chitarra e ukulele – Daniel Estrem

Claude Debussy (1862-1918), one of the most important of all French composers was a major figure in European music at the beginning of the 1900′s. His music defines the transition from late-Romantic music to 20th century modernist music. There exists a sensuous quality to his music and it is noted how his compositions often avoid being formed around one key or pitch. His harmonies, abrupt modulations and use of unusual scales (whole-tone and pentatonic) were considered radical in his day, but today sound quite normal as he influenced almost every major composer of the 20th century.

Debussy was a gifted pianist and an outstanding sight-reader, but his true passion was for composition. He frequently challenged the rigid teaching of the Paris Conservatoire and favored dissonances and intervals that were frowned upon at the time. One of his famous quotes is, “Some people wish above all to conform to the rules, I wish only to render what I can hear. There is no theory. You have only to listen. Pleasure is the law.” Another is, “Works of art make rules; rules do not make works of art.”

The pieces on this recording are Daniel Estrem’s transcriptions of a sampling of Debussy’s piano works. The majority of the music consists of three suites; Suite Bergamasque (1890), Children’s Corner (1908) and Petite Suite (1889).

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[hifi lofi] 01-Prelude – Suite Bergamasque (C Debussy) (4:05)
[hifi lofi] 02-Menuet – Suite Bergamasque (C Debussy) (4:29)
[hifi lofi] 03-Clair de Lune – Suite Bergamasque (C Debussy) (4:58)
[hifi lofi] 04-Passepied – Suite Bergamasque (C Debussy) (3:43)
[hifi lofi] 05-The Girl with the Flaxen Hair (C Debussy) (2:42)
[hifi lofi] 06-Doctor Gradus ad Parnassum – Children’s Corner (C Debussy) (3:01)
[hifi lofi] 07-Jimbo’s Lullaby – Children’s Corner (C Debussy) (3:25)
[hifi lofi] 08-Serenade for the Doll – Children’s Corner (C Debussy) (3:01)
[hifi lofi] 09-The Snow is Dancing – Children’s Corner (C Debussy) (2:45)
[hifi lofi] 10-The Little Shepherd – Children’s Corner (C Debussy) (2:27)
[hifi lofi] 11-Golliwogg’s Cakewalk – Children’s Corner (C Debussy) (3:26)
[hifi lofi] 12-La plus que Lente – Waltz (C Debussy) (4:47)
[hifi lofi] 13-En Bateau – Petite Suite (C Debussy) (3:31)
[hifi lofi] 14-Cortege – Petite Suite (C Debussy) (3:42)
[hifi lofi] 15-Menuet – Petite Suite (C Debussy) (3:52)
[hifi lofi] 16-Ballet – Petite Suite (C Debussy) (3:38)
[hifi lofi] 17-Reverie (C Debussy) (4:33)
[hifi lofi] 18-Le Petit Negre (C Debussy) (1:59)

 


Debussy on Guitar and Ukulele by Daniel Estrem

Daniel Estrem – Collage – Chitarra a otto corde

This collage album is comprised of several musical styles: The Baroque period represented by Domenico Scarlatti (1685-1757), the Classical period by Joseph Haydn (1732-1809), and the Romantic period by Frederick Chopin (1810-1849). The least known composer on this recording, Ernesto Nazareth (1863-1934), was a Brazilian pianist and composer especially noted for his creative tango and choro compositions. Nazareth (pronounced: nah-zah-ray) skillfully combined diverse influences into his music, not only from Brazil but also from North America (ragtime), Europe, and Africa. His music remains popular in South America and is enjoying increased global exposure in the 21st century.

On this recording Daniel Estrem performs on 6 and 8- string guitars and tenor ukulele.

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[hifi lofi] 01-Odeon (Brazilian Tango) (Ernesto Nazareth) (3:13)
[hifi lofi] 02-Prelude (Raindrop) Op28 no15 (Frederic Chopin) (6:13)
[hifi lofi] 03-Sonata in D Major K491 (Domenico Scarlatti) (6:24)
[hifi lofi] 04-Valse Brillante Op24 no2 (Frederic Chopin) (6:54)
[hifi lofi] 05-Furinga (Tango) (Ernesto Nazareth) (4:48)
[hifi lofi] 06-Sonata no 9 in D Major 1 Moderato (Joseph Haydn) (5:42)
[hifi lofi] 07-Sonata no 9 in D Major 2 Menuet (Joseph Haydn) (3:01)
[hifi lofi] 08-Sonata in D Minor K213 (Domenico Scarlatti) (7:41)
[hifi lofi] 09-Nove de Julho (Argentine Tango) (Ernesto Nazareth) (4:31)
[hifi lofi] 10-Sonata in D Minor (orig G Minor) K8 (Domenico Scarlatti) (4:47)
[hifi lofi] 11-Tango Habanera (Ernesto Nazareth) (2:59)
[hifi lofi] 12-Prelude Op28 no7 (Frederic Chopin) (1:13)

 




Collage by Daniel Estrem

Johann Sebastian Bach – Sei suites per violoncello trascritte per chitarra a otto corde – Daniel Estrem

The 6 Suites for Unaccompanied Cello (circa 1720) contain a wide emotional range and their intimacy has made them amongst J.S. Bach’s most popular works today. Portions of the suites have been transcribed for a great variety of instruments. There have been several transcriptions for the standard 6-string guitar that require transposing the cello score into the higher range of the guitar. Most of the transcribers have liberally added extra bass notes and harmonies to “enhance” the comparatively sparse cello score.

Daniel Estrem’s recordings of the first three suites are in their original keys and are read from the original bass clef (normally guitar music is written in the treble clef). The extended lower range of the 8-string guitar allows the performer to play the same notes as the cello. Using this approach there is no apparent need to add any extra notes or improve on the composer’s score.

Vol. 1

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[hifi lofi] 01-Suite 1 in G Major Prelude (2:41)
[hifi lofi] 02-Suite 1 in G Major Allemande (3:57)
[hifi lofi] 03-Suite 1 in G Major Courante (2:48)
[hifi lofi] 04-Suite 1 in G Major Sarabande (2:46)
[hifi lofi] 05-Suite 1 in G Major Menuet 1 and 2 (3:11)
[hifi lofi] 06-Suite 1 in G Major Gigue (1:48)
[hifi lofi] 07-Suite 2 in D Minor Prelude (3:22)
[hifi lofi] 08-Suite 2 in D Minor Allemande (3:15)
[hifi lofi] 09-Suite 2 in D Minor Courante (2:37)
[hifi lofi] 10-Suite 2 in D Minor Sarabande (3:46)
[hifi lofi] 11-Suite 2 in D Minor Menuet 1 and 2 (2:48)
[hifi lofi] 12-Suite 2 in D Minor Gigue (2:54)
[hifi lofi] 13-Suite 3 in C Major Prelude (4:01)
[hifi lofi] 14-Suite 3 in C Major Allemande (3:42)
[hifi lofi] 15-Suite 3 in C Major Courante (3:42)
[hifi lofi] 16-Suite 3 in C Major Sarabande (3:45)
[hifi lofi] 17-Suite 3 in C Major Bouree 1 and 2 (3:23)
[hifi lofi] 18-Suite 3 in C Major Gigue (3:34)


Bach Cello Suites on 8 String Guitar by Daniel Estrem

Vol. 2

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[hifi lofi] 01-Suite 6 in D Major Prelude BWV 1012 (JS Bach) (5:01)
[hifi lofi] 02-Suite 6 in D Major Allemande BWV 1012 (JS Bach) (6:21)
[hifi lofi] 03-Suite 6 in D Major Courante BWV 1012 (JS Bach) (3:25)
[hifi lofi] 04-Suite 6 in D Major Sarabande BWV 1012 (JS Bach) (2:34)
[hifi lofi] 05-Suite 6 in D Major Gavotte 1 2 BWV 1012 (JS Bach) (4:15)
[hifi lofi] 06-Suite 6 in D Major Gigue BWV 1012 (JS Bach) (3:38)
[hifi lofi] 07-Suite 5 in C Minor Prelude BWV 1011 (JS Bach) (6:36)
[hifi lofi] 08-Suite 5 in C Minor Allemande BWV 1011 (JS Bach) (4:47)
[hifi lofi] 09-Suite 5 in C Minor Courante BWV 1011 (JS Bach) (2:31)
[hifi lofi] 10-Suite 5 in C Minor Sarabande BWV 1011 (JS Bach) (4:01)
[hifi lofi] 11-Suite 5 in C Minor Gavotte 1 2 BWV 1011 (JS Bach) (4:46)
[hifi lofi] 12-Suite 5 in C Minor Gigue BWV 1011 (JS Bach) (2:09)
[hifi lofi] 13-Suite 4 in E flat Major Prelude BWV 1010 (JS Bach) (5:12)
[hifi lofi] 14-Suite 4 in E flat Major Allemande BWV 1010 (JS Bach) (2:53)
[hifi lofi] 15-Suite 4 in E flat Major Courante BWV 1010 (JS Bach) (3:09)
[hifi lofi] 16-Suite 4 in E flat Major Sarabande BWV 1010 (JS Bach) (3:12)
[hifi lofi] 17-Suite 4 in E flat Major Bouree 1 2 BWV 1010 (JS Bach) (5:52)
[hifi lofi] 18-Suite 4 in E flat Major Gigue BWV 1010 (JS Bach) (3:09)

 




Bach Cello Suites on 8 String Guitar volume 2 by Daniel Estrem

Antonio Vivaldi – Concerti – Trascrizioni per chitarra a otto corde – Daniel Estrem

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[hifi lofi] 01-Allegro Concerto in D major RV325 (A Vivaldi) (2:29)
[hifi lofi] 02-Larghetto Concerto in D major RV325 (A Vivaldi) (3:43)
[hifi lofi] 03-Allegro Concerto in D major RV325 (A Vivaldi) (2:37)
[hifi lofi] 04-Allegro Concerto in A minor RV461 (A Vivaldi) (4:49)
[hifi lofi] 05-Larghetto Concerto in A minor RV461 (A Vivaldi) (3:24)
[hifi lofi] 06-Allegro Concerto in A minor RV461 (A Vivaldi) (3:17)
[hifi lofi] 07-Allegro Concerto in E major RV265 (A Vivaldi) (4:08)
[hifi lofi] 08-Largo Concerto in E major RV265 (A Vivaldi) (3:28)
[hifi lofi] 09-Allegro Concerto in E major RV265 (A Vivaldi) (3:21)
[hifi lofi] 10-Allegro Concerto in D minor RV565 (A Vivaldi) (4:32)
[hifi lofi] 11-Largo Concerto in D minor RV565 (A Vivaldi) (2:25)
[hifi lofi] 12-Allegro Concerto in D minor RV565 (A Vivaldi) (2:56)
[hifi lofi] 13-Allegro Concerto in G major RV310 (A Vivaldi) (2:44)
[hifi lofi] 14-Largo Concerto in G major RV310 (A Vivaldi) (2:01)
[hifi lofi] 15-Allegro Concerto in G major RV310 (A Vivaldi) (3:03)
[hifi lofi] 16-Allegro Concerto in A minor RV356 (A Vivaldi) (3:25)
[hifi lofi] 17-Largo Concerto in A minor RV356 (A Vivaldi) (1:56)
[hifi lofi] 18-Presto Concerto in A minor RV356 (A Vivaldi) (2:49)

 


Vivaldi Concertos on 8-string guitar by Daniel Estrem

Edvard Grieg per chitarra e ukulele – David Estrem

The Estrem and Holmquist guitar duo (active from 1971-1988) performs a program of Estrem’s transcriptions of 11 Lyric Pieces and the Holberg Suite by Edvard Grieg. The music was originally for piano, and transfers successfully to the medium of guitar duets. Grieg created a world of intimacy and lyricism that is well represented on the classic guitar. The instrument has the ability to project colors and shadings not possible on the keyboard. Also, most of the brief motifs used in the Lyric Pieces are taken from Scandinavian folk music, and the guitar has its own special charm with folk rhythms and melodies.

This album was recorded in an acoustically-live stone church in 1980, released on vinyl but was never re-released as a CD. The master tape was lost, but now 30 years later, with the advances in digital restoration of vinyl albums, this gem of a recording is reborn.

“This music speaks to the heart, and the rapport and sensitivity of the performers recalls the eminent duo of Presti and Lagoya.”
Guitar Player magazine

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[hifi lofi] 01-Once Upon A Time – Lyric Pieces Op71 No1 (Edvard Grieg) (4:31)
[hifi lofi] 02-Waltz – Lyric Pieces Op12 No2 (Edvard Grieg) (1:47)
[hifi lofi] 03-Notturno – Lyric Pieces Op54 No4 (Edvard Grieg) (3:59)
[hifi lofi] 04-Berceuse – Lyric Pieces Op38 No1 (Edvard Grieg) (2:39)
[hifi lofi] 05-Halling – Lyric Pieces Op47 No4 (Edvard Grieg) (1:35)
[hifi lofi] 06-Gone – Lyric Pieces Op71 No6 (Edvard Grieg) (2:50)
[hifi lofi] 07-Halling 2 – Lyric Pieces Op38 No4 (Edvard Grieg) (0:54)
[hifi lofi] 08-Arietta – Lyric Pieces Op12 No1 (Edvard Grieg) (1:52)
[hifi lofi] 09-Elf Dance – Lyric Pieces Op12 No4 (Edvard Grieg) (1:00)
[hifi lofi] 10-Homeward – Lyric Pieces Op62 No6 (Edvard Grieg) (3:13)
[hifi lofi] 11-At The Cradle – Lyric Pieces Op68 No5 (Edvard Grieg) (3:12)
[hifi lofi] 12-Prelude – Holberg Suite Op40 (Edvard Grieg) (2:27)
[hifi lofi] 13-Sarabande – Holberg Suite Op40 (Edvard Grieg) (2:45)
[hifi lofi] 14-Gavotte – Holberg Suite Op40 (Edvard Grieg) (3:30)
[hifi lofi] 15-Air – Holberg Suite Op40 (Edvard Grieg) (5:13)
[hifi lofi] 16-Rigaudon – Holberg Suite Op40 (Edvard Grieg) (3:46)

 




Edvard Grieg by Daniel Estrem

Scarlatti per chitarra e ukulele – Daniel Estrem

Classical guitarists have been attracted to Scarlatti’s sonatas because many of them are idiomatic and sound natural on plucked instruments. It should be noted that the sonority of the plucked string is the natural home of the Baroque sound. Lutes, harpsichords, theorbos, spinets, Baroque guitars and harps all generate sound like the classical guitar and ukulele of today.

Domenico Scarlatti (1685-1757) lived the first half of his life in Naples, Italy and moved to the Iberian Peninsula in 1720, where he remained until his death. His first appointment was at the Royal court in Lisbon, Portugal. A decade later he moved to Madrid and took a position at the Royal Spanish court and it was here that the majority of his 550 harpsichord sonatas were written and where his artistic personality began to flourish. Using his imagination, he tested the limits and possibilities of the harpsichord resulting in compositions that surpassed his contemporaries in their originality and experimentation. His expansion of keyboard technique and virtuosity have more in common with keyboard music written a century after his death. Chronologically, he is classified as a Baroque composer, although his music was influential in the development of the Classical style.

Scarlatti’s encounter with the Spanish culture had a profound effect on his compositions. The influence of folk music, the use of modes and other tonal inflections were more or less alien to European art music of the era. Many of his chord patterns and dissonances are suggestive of the guitar. The eminent harpsichordist and musicologist Ralph Kirkpatrick said, “As far as we know, Scarlatti never played the guitar, but surely no composer ever fell more deeply under its spell.”

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[hifi lofi] 01-Sonata K435 in D Major allegro (D Scarlatti) (4:39)
[hifi lofi] 02-Sonata K328 in G Major andante comodo (D Scarlatti) (4:40)
[hifi lofi] 03-Sonata K32 in A Minor (orig D Minor) aria (D Scarlatti) (2:32)
[hifi lofi] 04-Sonata K115 in D Minor (orig C Minor) allegro (D Scarlatti) (8:00)
[hifi lofi] 05-Sonata K481 in A Minor (orig F Minor) andante cantabile (D Scarlatti) (6:24)
[hifi lofi] 06-Sonata K159 in G Major (orig C Major) allegro (D Scarlatti) (2:38)
[hifi lofi] 07-Sonata K234 in G Minor andante (D Scarlatti) (6:34)
[hifi lofi] 08-Sonata K33 in D Major allegro (D Scarlatti) (5:07)
[hifi lofi] 09-Sonata K27 in E Minor (orig B Minor) allegro (D Scarlatti) (4:23)
[hifi lofi] 10-Sonata K466 in A Minor (orig F Minor) andante (D Scarlatti) (7:49)
[hifi lofi] 11-Sonata K214 in D Major allegro vivo (D Scarlatti) (4:52)
[hifi lofi] 12-Sonata K9 in D Minor (pastorale) allegro (D Scarlatti) (4:22)
[hifi lofi] 13-Sonata K54 in A Minor allegro (D Scarlatti) (5:24)

 




Scarlatti on Guitar and Ukulele by Daniel Estrem

Concerti Barocchi – Trascrizione per chitarra a otto corde – Daniel Estrem

Daniel Estrem - Archivio Magnatune

Antonio Vivaldi’s extensive body of concertos (over 500) spanned a period greater than three decades. L’Estro Armonico, Op. 3, (Harmonic Inspiration) is a collection of twelve concertos for 1, 2, and 4 violins (1711). It achieved instant success and exerted a widespread influence on 18th-century instrumental music. In fact, J. S. Bach was so impressed that he transcribed six of these concertos for various instruments as an expression of his indebtedness. These concertos, two of which are included on this recording (No. 2 and 8) suggest a conscious effort by Vivaldi to forge a new concerto language.

Vivaldi’s brief Concerto in G Major (Alla Rustica) with its strong allusions to folk music is well-suited to the guitar, which is particularly adept with folk melodies and rhythms.

The Brandenburg Concertos (1721) by J. S. Bach are widely regarded as among the finest musical compositions of the Baroque era. No two of the six concertos are alike in their instrumentation. The Third Concerto included on this recording is a pure ensemble piece. Between the two rollicking outer movements lies a puzzle that has often perplexed scholars and challenged performers. This second movement labeled adagio, consists of a mere two chords. When played literally it sounds far too short to separate the pulsating and energetic first and third movements. Consequently, many performers (D. Estrem included) opt to insert an appropriate slow movement from another one of Bach’s works.

The Concerto for 2 Violins in D Minor, also known as the Double Violin Concerto is one of the more famous works by Bach. It was written around 1730 and includes one of Bach’s most touching and beautiful slow movements.

 

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[hifi lofi] 01-Concerto Op3 no8 RV522 Allegro (A Vivaldi) (4:06)
[hifi lofi] 02-Concerto Op3 no8 RV522 Larghetto (A Vivaldi) (3:59)
[hifi lofi] 03-Concerto Op3 no8 RV522 Allegro (A Vivaldi) (4:02)
[hifi lofi] 04-Brandenburg Concerto no3 BWV1048 Allegro (JS Bach) (6:34)
[hifi lofi] 05-BWV1019 Largo (JS Bach) (1:44)
[hifi lofi] 06-Brandenburg Concerto no3 BWV1048 Allegro (JS Bach) (6:19)
[hifi lofi] 07-Concerto Op3 no2 RV578 Adagio e spiccato (A Vivaldi) (1:38)
[hifi lofi] 08-Concerto Op3 no2 RV578 Allegro (A Vivaldi) (2:59)
[hifi lofi] 09-Concerto Op3 no2 RV578 Larghetto (A Vivaldi) (2:44)
[hifi lofi] 10-Concerto Op3 no2 RV578 Allegro (A Vivaldi) (3:02)
[hifi lofi] 11-Concerto in D Minor BWV1043 Vivace (JS Bach) (4:20)
[hifi lofi] 12-Concerto in D Minor BWV1043 Largo (JS Bach) (6:34)
[hifi lofi] 13-Concerto in D Minor BWV1043 Allegro (JS Bach) (5:57)
[hifi lofi] 14-Concerto in G Major RV151 Presto (A Vivaldi) (1:22)
[hifi lofi] 15-Concerto in G Major RV151 Adagio (A Vivaldi) (0:52)
[hifi lofi] 16-Concerto in G Major RV151 Allegro (A Vivaldi) (1:40)

 




Baroque Concertos on 8 String Guitar by Daniel Estrem