Georg Friedrich Haendel – Der Messias – Versione di Wolfgang Amadeus Mozart – Adina Spire – Bezdin Ensemble

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione del “Messia” di Georg Friedrich Haendel (versione di W. A. Mozart) in Alta Definizione.

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Johann Sebastian Bach – Variazioni Goldberg – Versione orchestrale – Adina Spire – Bezdin Ensemble – HIGH DEFINITION QUALITY

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione della versione orchestrale delle “Variazioni Goldberg” di Johann Sebstian Bach  in Alta Definizione.

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Giovan Battista Pergolesi – Stabat Mater – Adina Spire – Bezdin Ensemble – HIGH DEFINITION QUALITY

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione dello “Stabat Mater” di Giovan Battista Pergolesi in Alta Definizione.

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Gabriel Fauré – Requiem – Adina Spire – Bezdin Ensemble – HIGH QUALITY DEFINITION

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione del Requiem di Gabriel Fauré in Alta Definizione.

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Adina Spire – Missa Solemnis – Adina Spire – Bezdin Ensemble – HIGH DEFINITION QUALITY

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione della “Missa Solemnis” di Adina Spire in Alta Definizione.

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Adina Spire – Missa Brevis – Adina Spire – Bezdin Ensemble

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione della “Missa Brevis” di Adina Spire in Alta Definizione.

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Ludwig van Beethoven – Sinfonia n. 5 in do minore op. 67 – Adina Spire – Bezdin Ensemble

Adina Spire - cortesia della Direttrice d'Orchestra -

1.Allegro con brio
2.Andante con moto – Più moto
3.Allegro
4.Allegro – Presto

Ludwig van Beethoven – Sinfonia n. 5 in do minore op. 67 – Adina Spire – Bezdin Ensemble

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Licenza: http://www.classicistranieri.com/licenzamagnatune.html

Johann Sebastian Bach – Passione secondo Giovanni – Johannespassion – Adina Spire – Bezdin Ensemble – High Definition Music

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble, vi offriamo la registrazione della “Passione Secondo Giovanni” (Johannespassion) di Johann Sebastian Bach in Alta Definizione.

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jp03.aac 103,843,731  10/13/12  11:39 am
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(C) 2012 Adina Spire – Bezdin Ensemble. Tutti i diritti riservati. Pubblicato su gentile, esplicita e diretta autorizzazione di Adina Spire.

Alcune notizie sull’opera tratte da Wikipedia:

Download (PDF, 101KB)

Di seguito alcune notizie in lingua inglese su Adina Spire e sul Bezdin Ensemble:

Adina Spire is a classical composer and performer of sacred music for Catholic and Orthodox liturgies. She was born in Arad, Romania, on December 25th, 1977. At the age of four she began to study cello and later composition, first in Arad then in Switzerland  and Germany. She worked almost exclusively in her native Romania and in Russia as a sacred music composer, director of choir and orchestra and teacher of film composition. In 2008 she founded the Bezdin Ensemble, a specialized ensemble for sacred music, consisting of a chamber orchestra, choir and vocalists.

The Bezdin Ensemble usually performs Adina Spires works and traditional sacred works from Vivaldi, Bach to Mozart for concerts and liturgical events. Adina Spire is artistic director and conductor of the ensemble. Her compositional works and performance style are strongly influenced by the symbolism of traditional and contemporary Eastern European religious music incorporating elements of gypsy folk traditions.

The Bezdin Ensemble members are currently based near Nischni Nowgorod in Russia, where they have their own recording studio. Managing directors of the ensemble are Adriana Spire (Adina’s sister) and Olga Shtherbatova, produced by NC Productions in Switzerland. Olga Shtherbatova is also assistant conductor together with first violinist Sofia Minks.

It is impossible to fully appreciate the music of Adina Spire without an understanding of its historical context.  Its roots reach deeply into the traditional Romanian and Christian orthodox culture, with its shadow and mystery, under the bleak, searing light of her countrys recent struggle against its totalitarian government. In the 1989 Romanian Revolution and subsequent civil war, the country was thrown into chaos. Violence and suffering were everywhere.  Adina Spire found herself suddenly an orphan. With no one to help, and nowhere to go, she was placed in the orphanage of Bezdin, a monastery near Arad. Adina Spires music is a tapestry of complex, interrelated themes.  Grief, nostalgia, fear, solitude, hope, brutality, innocence, protest, sensuality and longing, all find expression in layers of overlapping sonic colors.
There is rebellion in her music.  It is the protest of the soul against the darkness of the Forgotten, hammering at the monolith of indifference. One can hear not only the cry of innocents dying in hunger, war, and neglect around the world today, but also of renewal, of solace, of the Divine. Adina Spires ideas and emotions form the harmonic and dynamic designs that frame her music.  There is a slowly shifting ambiguity, as intense feelings seem to peer out from behind a frozen and fearful facade. She freely utilizes folk and orthodox compositional idioms in her writing.  But her method is also influenced by the film-editing techniques taken from her work in the cinema. Often discarding orthodox modulation, the composer cuts abruptly between keys or slowly dissolves one chord into another by accumulating their pitches into blurred clusters.

The tonic at any given point in her score is a disputed issue. It may be suddenly established by the orchestra, and then completely absent. These arpeggio-clusters, which have their precedents in the cinematic soundtracks of suspense and horror movies, are tonal ambiguities themselves. Her layering of tonality and atonality, can suggest change, or hesitation, or at times, a wistful hope. In no other composer’s works do the solo instruments or the choir speak so quietly, nor do they venture such modest pitch excursions so diffidently, before a wall of atonal abstraction. Often, tempos are so slow as to give the impression of motionlessness.  This effect is sustained even when short note-values are in play, by the use of small and very simple progressions, tense pedal points, and agonized suspensions. Adina Spire works with extreme contrasts between moments of tonal delicacy and cataclysmic avalanches of atonal sound. Between these extremes, time seems to stand still, while the music pivots from key to key, as if gradually shifting its viewpoint.  She uses timbre as lighting, and sound positioning as camera angle, in her three-dimensional orchestrations.  Her cinematic compositions are the work of a personal and uniquely moving voice.

(da: http://www.adinaspire.net)

Wolfgang Amadeus Mozart – Il flauto magico – Die Zauberflöte – Bezdin Ensemble – Adina Spire – High Definition Music

La copertina dell'incisione

 

Grazie alla cortesia, all’amabilità, alla generaosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble, vi offriamo la registrazione del Flauto Magico (Die Zauberflöte) Continue reading

Vivaldi Sacred Box – Bezdin Ensemble – Adina Spire

 

 

Bezdin Ensemble - Archivio Magnatune

In September 1703, Vivaldi became maestro di violino (master of violin) at a girl orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice. Vivaldi was only 25 when he started working at the Ospedale della Pietà. Over the next thirty years he composed most of his major works while working there.

Bezdin is a similar institution in Romania; its purpose is still to give shelter and education to girls who were abandoned or orphaned, or whose families could not support them. The girls receive a musical education and the most talented stay and became members of the Bezdin ensemble choir or orchestra, at moment based in Russia.

The performance was commissioned for the Arad’s Christmas Concert of 2009 in Romania. The Bezdin Ensemble decided to use in part, girl voices for the choir, involving the girl choir of the Bezdin orphanage.
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[hifi lofi] 01-Gloria (Antonio Vivaldi) (24:37)
[hifi lofi] 02-Stabat Mater (Antonio Vivaldi) (14:18)
[hifi lofi] 03-Magnificat (Antonio Vivaldi) (13:04)


Vivaldi Sacred Box by Bezdin Ensemble

Vivaldi Fata Tiganca – Bezdin Ensemble – Adina Spire

Particolare dalla copertina del disco - Archivio Magnatune

“Vivaldi Fata Tiganca” means “Vivaldi was a gypsy girl” in Romanian. This album proposes some secular works of Antonio Vivaldi, performed with a gypsy intonation of the orchestra and soloists. There are some controversial historical sources claiming that Vivaldi was in reality a woman teaching in a girl orphanage. The Bezdin Ensemble and its conductor Adina Spire make homage with this album to the classical music of all women.

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[hifi lofi] 01-Vivaldi Fata Tiganca (Antonio Vivaldi) (20:30)
[hifi lofi] 02-La follia (Antonio Vivaldi) (8:20)
[hifi lofi] 03-Inverno (arranged for cello) (Antonio Vivaldi) (8:32)
[hifi lofi] 04-Cello Concerto in G Major (Antonio Vivaldi) (9:12)
[hifi lofi] 05-Violin Concerto (arranged for cello) (Antonio Vivaldi) (7:04)
[hifi lofi] 06-Cello Concerto In a minor (Antonio Vivaldi) (9:55)


Vivaldi Fata Tiganca by Bezdin Ensemble

Wolfgang Amadeus Mozart – Requiem per soli, coro e orchestra K 626 – Bezdin Ensemble – Adina Spire

Particolare dalla copertina del disco - Archivio Magnatune

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[hifi lofi] 01-Introitus – Requeim Aeterna (WA Mozart) (4:41)
[hifi lofi] 02-Kyrie Eleison (WA Mozart) (2:43)
[hifi lofi] 03-Sequenz – Dies Irae (WA Mozart) (1:28)
[hifi lofi] 04-Sequenz – Tuba Mirum (WA Mozart) (3:03)
[hifi lofi] 05-Sequenz – Rex Tremendae Majestatis (WA Mozart) (1:49)
[hifi lofi] 06-Sequenz – Recordare Jesus Pie (WA Mozart) (5:40)
[hifi lofi] 07-Sequenz – Confutatis Maledictis (WA Mozart) (2:34)
[hifi lofi] 08-Sequenz – Lacrimosa Dies Illa (WA Mozart) (3:34)
[hifi lofi] 09-Offertorium – Domine Jesus Christe (WA Mozart) (3:05)
[hifi lofi] 10-Offertorium – Hostias Et Preces (WA Mozart) (3:27)
[hifi lofi] 11-Sanctus – Sanctus Deus Sabaoth (WA Mozart) (1:22)
[hifi lofi] 12-Sanctus – Benedictus (WA Mozart) (4:39)
[hifi lofi] 13-Agnus Dei (WA Mozart) (3:46)
[hifi lofi] 14-Communio – Lux Aeterna (WA Mozart) (5:51)


Mozart Requiem by Bezdin Ensemble

Johann Sebastian Bach – Messa in si minore – BWV 232 – Bezdin Ensemble – Adina Spire

Particolare dalla copertina del disco - Archivio Magnatune

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[hifi lofi] 01-Kyrie (JS Bach) (16:41)
[hifi lofi] 02-Gloria – Part I (JS Bach) (11:52)
[hifi lofi] 03-Gloria – Part II (JS Bach) (14:43)
[hifi lofi] 04-Gloria – Part III (JS Bach) (8:34)
[hifi lofi] 05-Credo – Part I (JS Bach) (7:38)
[hifi lofi] 06-Credo – Part II (JS Bach) (10:30)
[hifi lofi] 07-Credo – Part III (JS Bach) (6:11)
[hifi lofi] 08-Credo – Part IV (JS Bach) (7:16)
[hifi lofi] 09-Sanctus (JS Bach) (7:27)
[hifi lofi] 10-Benedictus (JS Bach) (8:00)
[hifi lofi] 11-Agnus Dei (JS Bach) (8:24)

 


JS Bach – Mass in B Minor by Bezdin Ensemble

Luigi Boccherini Fandango Box – Bezdin Ensemble – Adina Spire

Adina Spire

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[hifi lofi] 01-Fandango (Luigi Boccherini) (9:22)
[hifi lofi] 02-Sinfonia in La Maggiore (Luigi Boccherini) (15:12)
[hifi lofi] 03-La Ritirata Di Madrid (Luigi Boccherini) (13:25)
[hifi lofi] 04-Sinfonia In Re Minore (Luigi Boccherini) (21:49)

In this album the Bezdin Ensemble represent rhythmically fandango like works of Luigi Boccherini, performed with a gypsy intonation of the orchestra. Fandango is a lively folk and Andalusian (flamenco) couple-dance usually in triple metre, traditionally accompanied by guitars and castanets or hand-clapping (palmas in Spanish and Portuguese). Fandango can both be sung and danced.

Boccherini Fandango Box by Bezdin Ensemble

Ludwig van Beethoven – Le 9 sinfonie – Incisione integrale – Bezdin Ensemble – Adina Spire

Adina Spire - Bezdin Ensemble - Arch. Magnatune

Vol. 1

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[hifi lofi] 01-Symphony number 1 (Ludwig van Beethoven) (27:42)
[hifi lofi] 02-Symphony number 2 (Ludwig van Beethoven) (35:32)
[hifi lofi] 03-Symphony number 3 (Ludwig van Beethoven) (53:34) Continue reading

Celor Sapte Laude – Bezdin Ensemble – Adina Spire

This album is a modern orchestra rearrangement written by Adina Spire of old and traditional song of the orthodox liturgical tradition. They are ordered with indication when they should be performed as a coulisse for the Eastern liturgy.

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[hifi lofi] 01-I VECERNIA (To be played at sunset) (6:30)
[hifi lofi] 02-II DUPACINAREA (To be played after dinner) (8:47)
[hifi lofi] 03-III MIEZONOPTICA (To be played at mid-night) (10:05)
[hifi lofi] 04-IV i) UTRENIA (To be played at sunrise) (10:07)
[hifi lofi] 05-IV ii) LAUDELE (To be played at 9 00 AM) (4:00)
[hifi lofi] 06-IV iii) CEASUL DINTAI (To be played at mid-day) (5:28)
[hifi lofi] 07-V CEASUL AL TREILEA (To be played at 3 00PM) (9:38)
[hifi lofi] 08-VI CEASUL AL SASELEA (To be played at 6 00 PM) (6:11)
[hifi lofi] 09-VII CEASUL AL NOUALEA (To be played at 9 00 PM) (3:29)

da: http://www.magnatune.com





Celor Sapte Laude by Bezdin Ensemble

S’i fossi foco – Bezdin Ensemble – Adina Spire

01. If I were wind I would tempest you
a. Georg Philipp Telemann, Symphony TWV 50 III (extract)
b. Antonio Vivaldi, Concert RV 377 II
c. Antonio Vivaldi, Concert RV 388 – I

02. If I were water in a canon I would drown you
a. Teleman, Sonata TWV 44,32 I
b. Johann Pachelbel, Canon in D min

03. If I were fire

a. Johann Pachelbel, Musical Delight n.4 – IV

04. If I were moon
a. Teleman, Sonata TWV 44,32 III

05. If I were sun
a. Georg Philipp Telemann, Symphony TWV 50 I

06. If I were pope
a. Georg Philipp Telemann, Gypsy Sonata in D min I

07. If I were emperor
a. Georg Philipp Telemann, Symphony TWV 50 II

08. If I were forest
a. Georg Philipp Telemann, Symphony TWV 50 III

09. I would burn the world
a. Johann Pachelbel, Musical Delight n.2 – II
b. Johann Pachelbel, Musical Delight n.4 – IV

10. If I were Antonio
a. Antonio Vivaldi, Concert RV 275 II

11. I would take the graceful girls
a. Johann Pachelbel, Musical Delight n.5 V

12. The wobbly girls I would not
a. Teleman, Concert TWV 43, A4 III

13. I would glow other than the world
a. Johann Pachelbel, Musical Delight n.2 II

14. But I am not Antonio
a. Antonio Vivaldi, Concert RV 291 II

15. Therefore drink a canon of someone else
a. Johann Pachelbel, Canon in D min

da: http://www.magnatune.com

Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-If I were wind I would tempest you (6:44)
[hifi lofi] 02-If I were water in a canon I would drown you (5:46)
[hifi lofi] 03-If I were fire (1:07)
[hifi lofi] 04-If I were moon (2:32)
[hifi lofi] 05-If I were sun (3:12)
[hifi lofi] 06-If I were pope (2:22)
[hifi lofi] 07-If I were emperor (2:30)
[hifi lofi] 08-If I were forest (2:16)
[hifi lofi] 09-I would burn the world (2:21)
[hifi lofi] 10-If I were Antonio (3:19)
[hifi lofi] 11-I would take the graceful girls (1:44)
[hifi lofi] 12-The wobbly girls I would not (2:34)
[hifi lofi] 13-I would glow other than the world (1:32)
[hifi lofi] 14-But I am not Antonio (3:04)
[hifi lofi] 15-Therefore drink a canon of somone else (3:00)

 




Si Fossi Foco by Bezdin Ensemble