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File:Pedro Berruguete - Saint Dominic Presiding over an Auto-da-fe (1475).jpg

Summary

Artist
Description
Saint Dominic Presiding over an Auto-da-fe. From the sacristy of the Santo Tomás church in Ávila.
Date circa 1495
Medium oil on panel
Dimensions 154 × 92 cm (60.6 × 36.2 in)
Accession number catalog number P00618
Notes Representations of an auto da fe often depict torture or someone being burnt at the stake. The two victims in the lower right, tied to the two posts are resting on two stakes driven horizontally into the posts behind them, meant to prolong their deaths by staving off suffocation by the ropes or garrotes wrapped around their necks. Another likely purpose of these stakes was possibly a means of further shaming and humiliating the victims, due to their apparently intentional resemblance to the human male anatomy. The two victims on the posts await their deaths as the pile of ignited firewood before them is fed and fueled sufficiently to attain the desired result. The two victims standing in line await their own turns next on the posts. All of these victims are Cathars, allegedly St. Dominic's primary targets. Some defenders of St. Dominic dispute the likelihood that the saint ever acted as an inquisitor. Painted in the late 1400's, it depicts an episode in the life of St. Dominic from nearly 300 years earlier. In Pedro Berruguete's 15th century Spain, auto da fe's were still a fairly routine and commonplace event and thus many elements of the painting most probably portray one or more real life events as directly witnessed by the artist himself. It is of interest to note what may have been some subtle but distinct forms of protest incorporated into the painting by the artist: first in the artist's decision to place a few sleeping or drowsy attendants in the work, secondly one can note the only figure in the entire painting who was portrayed with a "fully open mouth" while speaking happens to be the one Cathar who is next in line for execution! Later, during the Protestant Reformation, this painting was used for anti-Catholic propaganda. A very high definition file of the painting is available at the Prado site. Also, by clicking on the file it will enlarge significantly.
Source/Photographer
Permission
( Reusing this file)
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
Public domain This work is in the public domain in the United States, and those countries with a copyright term of life of the author plus 100 years or less.
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Metadata

This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. If the file has been modified from its original state, some details may not fully reflect the modified file.
Width 2,350 px
Height 3,790 px
Bits per component
  • 8
  • 8
  • 8
Compression scheme Uncompressed
Pixel composition RGB
Orientation Normal
Number of components 3
Horizontal resolution 310 dpi
Vertical resolution 310 dpi
Data arrangement chunky format
Software used Adobe Photoshop CS2 Windows
File change date and time 13:47, 25 January 2008
Colour space Uncalibrated
Image height 1,892 px
Image width 3,051 px
Date and time of digitizing 15:23, 23 January 2008
Date metadata was last modified 14:47, 25 January 2008
IIM version 2

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