Imagen:FlammarionWoodcut.jpg
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Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), p. 163.
The Flammarion Woodcut is an enigmatic woodcut by an unknown artist. It is referred to as the Flammarion Woodcut because its first documented appearance is in page 163 of Camille Flammarion's L'atmosphère: météorologie populaire (Paris, 1888), a work on meteorology for a general audience. The woodcut depicts a man peering through the Earth's atmosphere as if it were a curtain to look at the inner workings of the universe.
The original caption bellow the picture, (not included here), translated to: "A medieval missionary tells that he has found the point where heaven and Earth meet...".
[edit] "Flat Earth"
This work is related with the mistaken (but even today widespread) notion that medieval scholars believed in a flat earth. Today professional medievalists and historians of science agree that this "medieval flat earth" was a nineteenth-century fabrication, and that the few verifiable "flat earthers" were the exception. (See Also: en:Flammarion Woodcut and en:Flat Earth#Modern times.)
- "During the 19th century, the Romantic conception of a European "Dark Age" gave much more prominence to the Flat Earth model than it ever possessed historically. The widely circulated woodcut of a man poking his head through the firmament of a flat Earth to view the mechanics of the spheres, executed in the style of the 16th century cannot be traced to an earlier source than Camille Flammarion's L'Atmosphere: Météorologie Populaire (Paris, 1888, p. 163) [1]. The woodcut illustrates the statement in the text that a medieval missionary claimed that "he reached the horizon where the earth and the heavens met", an anecdote that may be traced back to Voltaire, but not to any known medieval source. In its original form, the woodcut included a decorative border that places it in the 19th century; in later publications, some claiming that the woodcut did, in fact, date to the 16th century, the border was removed. Flammarion, according to anecdotal evidence, had commissioned the woodcut himself. In any case, no source of the image earlier than Flammarion's book is known. (quote from en:Flat Earth)
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The two-dimensional work of art depicted in this image is in the public domain worldwide due to the date of death of its author (if it is was published outside of the U.S. and the author has been dead for over 70 years), or due to its date of publication (if it was first made public in the U.S. before 1923). Therefore this photographical reproduction is also in the public domain, at least in the United States (see Bridgeman Art Library v. Corel Corp.), in Germany, and in many other countries.
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