Johann Sebastian Bach – Passione secondo Matteo – BWV 244 – 1941

 

Kommt, Ihr Tochter, Helft Mir Klagen (formato OGG)
Da Jesus Diese Rede Vollendet Hatte (formato OGG)
Herzliebster Jesu, Was Hast Du Verbrochen (formato OGG)
Da Versammelten Sich Die Hohenpriester (formato OGG)
Ja Nicht Auf Dass Fest (formato OGG)
Da Nun Jesus War Zu Bethanien (formato OGG)
Wozu Dienet Dieser Unrat? (formato OGG)
Da Das Jesus Merkete, Sprach Er Zu Ihnen (formato OGG)
Du Lieber Heiland Du (formato OGG)
Buss’ Und Reu’ (formato OGG)
Da Ging Hin Der Zwolfen Einer (formato OGG)
Blute Nur, Du Liebes Herz! (formato OGG)
Aber Am Ersten Tage Der Sussen Brot’ (formato OGG)
Wo Willst Du, Dass Wir Dir Bereiten (formato OGG)
Er Sprach: Gehet Hin In Die Stadt Zu Einem (formato OGG)
Ich Bin’s, Ich Sollte Bussen (formato OGG)
Da Sie Aber (formato OGG)
Und Da Sie Den Lobgesang Gesprochen Hatten (formato OGG)
Erkenne Mich, Mein Huter (formato OGG)
Petrus Aber Antwortete Und Sprach Zu Ihm (formato OGG)
Ich Will Hier Bei Dir Stehen (formato OGG)
Da Kam Jesus Mit Ihnen Zu Einem Hofe (formato OGG)
O Schmerz! Hier Zittert Das Gequalte Herz (formato OGG)
Ich Will Bei Meinem Jesu Wachen (formato OGG)
Und Ging Hin Ein Wenig, Fiel Nieder Auf Sein Angesicht (formato OGG)
Da Kam Er Zu Seinem Jungern Und Sprach Zu Ihnen (formato OGG)
So Ist Mein Jesus Nun Gefangen (formato OGG)
Zu Stand’ Sprach Jesus Zu Den Scharen (formato OGG)
O Mensch, Bewein’ Dein’ Sunde Gross (formato OGG)
Ach! Nun Ist Mein Jesus Hin! (formato OGG)
Und Der Hohepriester Stand Auf Und Sprach Zu Ihm (formato OGG)
Mein Jesus Schweigt Zu Falschen Lugen Stille (formato OGG)
Und Der Hohepriester Antwortete Und Sprach Zu Ihm (formato OGG)
Da Speieten Sie Aus In Sein Angesicht (formato OGG)
Wer Hat Dich So Geschlagen (formato OGG)
Petrus Aber Sass Draussen Im Palast (formato OGG)
Da Hub Er An Sich Zu Verfluchen Und Zu Schworen (formato OGG)
Erbarme Dich, Mein Gott (formato OGG)
Bin Ich Gleich Von Dir Gewichen (formato OGG)
Des Morgens Aber Hielten Alle Hohenprieste (formato OGG)
Und Er Warf Die Silberlinge In Den Tempel (formato OGG)
Gebt Mir Meinen Jesum Wieder! (formato OGG)
Jesus Aber Stand Vor Dem Landpfleger (formato OGG)
Befiehl Du Deine Wege (formato OGG)
Auf Das Fest Aber Hatte Der Landpfleger Gewohnheit (formato OGG)
Wie Wunderbarlich Ist Doch Diese Strafe! (formato OGG)
Er Hat Uns Allen Wohlgetan (formato OGG)
Aus Liebe Will Mein Heiland Sterben (formato OGG)
Da Aber Pilatus Sahe, Dass Er Nichts Schaffete (formato OGG)
Erbarm Es Gott! (formato OGG)
Da Nahmen Die Kriegsknechte Des Landpflegers Jesum Zu Sich (formato OGG)
O Haupt Voll Blut Und Wunden (formato OGG)
Und Da Sie Ihn Verspottet Hatten (formato OGG)
Und Da Wurden Zween Morder Mit Ihm Gekreuziget (formato OGG)
Desgleichen Schmaheten Ihn Auch Die Morder (formato OGG)
Ach, Golgatha, Unsel’ges Golgatha! (formato OGG)
Und Von Der Sechsten Stunde An Ward Eine Finsternis Uber Das Ganze Land (formato OGG)
Wenn Ich Einmal Soll Scheiden (formato OGG)
Und Siehe Da, Der Vorhang Im Tempel Zerriss In Zwei Stuck (formato OGG)
Am Abend, Da Es Kuhle War (formato OGG)
Und Joseph Nahm Den Leib Und Wikkelte Ihn (formato OGG)
Nun Ist Der Herr Zur Ruh Gebracht (formato OGG)
Wir Setzen Uns Mit Tranen Nieder (formato OGG)

•Bach, Johann Sebastian (ruolo: Compositore)
•Beckmann, Friedel (ruolo: Contralto)
•Erb, Karl (ruolo: Tenor, Evangelista, Arie)
•Hüsch, Gerhard (ruolo: Baritone, Gesù)
•Lemnitz, Tiana (ruolo: Soprano)
•Ramin, Günther (ruolo: Direttore)
•Schulze, Siegfried, (ruolo: Basso, Arie)

1941

Filename
bach_bwv244_ram_01_kommt_ihr_to.ogg
bach_bwv244_ram_02_da_jesus_die.ogg
bach_bwv244_ram_03_herzliebster.ogg
bach_bwv244_ram_04_da_versammel.ogg
bach_bwv244_ram_05_ja_nicht_auf.ogg
bach_bwv244_ram_06_da_nun_jesus.ogg
bach_bwv244_ram_07_wozu_dienet.ogg
bach_bwv244_ram_08_da_das_jesus.ogg
bach_bwv244_ram_09_du_lieber_he.ogg
bach_bwv244_ram_10_buss_und_reu.ogg
bach_bwv244_ram_11_da_ging_hin.ogg
bach_bwv244_ram_12_blute_nur_du.ogg
bach_bwv244_ram_13_aber_am_erst.ogg
bach_bwv244_ram_14_wo_willst_du.ogg
bach_bwv244_ram_15_er_sprach_g.ogg
bach_bwv244_ram_16_ich_bins_ich.ogg
bach_bwv244_ram_17_da_sie_aber.ogg
bach_bwv244_ram_18_und_da_sie_de.ogg
bach_bwv244_ram_19_erkenne_mich.ogg
bach_bwv244_ram_20_petrus_aber_a.ogg
bach_bwv244_ram_21_ich_will_hier.ogg
bach_bwv244_ram_22_da_kam_jesus.ogg
bach_bwv244_ram_23_o_schmerz_hie.ogg
bach_bwv244_ram_24_ich_will_bei.ogg
bach_bwv244_ram_25_und_ging_hin.ogg
bach_bwv244_ram_26_da_kam_er_zu.ogg
bach_bwv244_ram_27_so_ist_mein.ogg
bach_bwv244_ram_28_zu_stand_spr.ogg
bach_bwv244_ram_29_o_mensch_bew.ogg
bach_bwv244_ram_30_ach_nun_ist.ogg
bach_bwv244_ram_31_und_der_hohe.ogg
bach_bwv244_ram_32_mein_jesus_s.ogg
bach_bwv244_ram_33_und_der_hohe.ogg
bach_bwv244_ram_34_da_speieten.ogg
bach_bwv244_ram_35_wer_hat_dich.ogg
bach_bwv244_ram_36_petrus_aber.ogg
bach_bwv244_ram_37_da_hub_er_an.ogg
bach_bwv244_ram_38_erbarme_dich.ogg
bach_bwv244_ram_39_bin_ich_glei.ogg
bach_bwv244_ram_40_des_morgens.ogg
bach_bwv244_ram_41_und_er_warf.ogg
bach_bwv244_ram_42_gebt_mir_mei.ogg
bach_bwv244_ram_43_jesus_aber_s.ogg
bach_bwv244_ram_44_befiehl_du_d.ogg
bach_bwv244_ram_45_auf_das_fest.ogg
bach_bwv244_ram_46_wie_wunderba.ogg
bach_bwv244_ram_47_er_hat_uns_a.ogg
bach_bwv244_ram_48_aus_liebe_wi.ogg
bach_bwv244_ram_49_da_aber_pila.ogg
bach_bwv244_ram_50_erbarm_es_go.ogg
bach_bwv244_ram_51_da_nahmen_di.ogg
bach_bwv244_ram_52_o_haupt_voll.ogg
bach_bwv244_ram_53_und_da_sie_i.ogg
bach_bwv244_ram_54_und_da_wurde.ogg
bach_bwv244_ram_55_desgleichen.ogg
bach_bwv244_ram_56_ach_golgatha.ogg
bach_bwv244_ram_57_und_von_der.ogg
bach_bwv244_ram_58_wenn_ich_ein.ogg
bach_bwv244_ram_59_und_siehe_da.ogg
bach_bwv244_ram_60_am_abend_da.ogg
bach_bwv244_ram_61_und_joseph_n.ogg
bach_bwv244_ram_62_nun_ist_der.ogg
bach_bwv244_ram_63_wir_setzen_u.ogg

Ascolta on line:

da: www.liberliber.it
Creative Commons Attribuzione – Non commerciale – Condividi allo stesso modo 2.5

Johannes Brahms – Complete Symphonies – Pubblico Dominio


Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms’ popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs. Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works; he also worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim.

 

Symphony No. 1 in C Minor, Op. 68

 

Symphony_No._1_in_C_Minor__Op._68_-_I._Un_poco_sostenuto_-_Allegro.ogg 17,582,775
Symphony_No._1_in_C_Minor__Op._68_-_II._Andante_sostenuto.ogg 10,020,216
Symphony_No._1_in_C_Minor__Op._68_-_III._Un_poco_allegretto_e_grazioso.ogg 5,777,805
Symphony_No._1_in_C_Minor__Op._68_-_IV._Adagio_-_Più_andante_-_Allegro_non_troppo__ma_con_brio.ogg 19,830,920

 

Symphony No. 2 in D Major, Op. 73

 

Symphony_No._2_in_D_Major__Op._73_-_I._Allegro_non_troppo.ogg 18,956,930
Symphony_No._2_in_D_Major__Op._73_-_II._Adagio_non_toppo.ogg 10,630,685
Symphony_No._2_in_D_Major__Op._73_-_III._Allegretto_Grazioso.ogg 5,701,720
Symphony_No._2_in_D_Major__Op._73_-_IV._Allegro_Con_Spirito.ogg 11,087,386

 

Symphony No. 3 in F Major, Op. 90

 

Symphony_No._3_in_F_Major__Op._90_-_I._Allegro_con_brio.ogg 11,562,384
Symphony_No._3_in_F_Major__Op._90_-_II._Andante.ogg 10,137,234
Symphony_No._3_in_F_Major__Op._90_-_III._Poco_allegretto.ogg 7,154,638

Symphony no. 4 in Em [Op. 98]

The Symphony No. 4 in E minor, Op. 98 by Johannes Brahms is the last of hissymphonies. Brahms began working on the piece in Mürzzuschlag. then in the Austro-Hungarian Empire, in 1884, just a year after completing his Symphony No. 3, and completed it in 1885. The symphony is scored for two flutes (one doubling on piccolo), two oboes, two clarinets, twobassoons, contrabassoon, four horns, two trumpets, three trombones, timpani, triangle (third movement only), and strings.

Symphony_No._4_in_E_Minor__Op._98_-_I._Allegro_Non_Troppo.ogg 14,663,182
Symphony_No._4_in_E_Minor__Op._98_-_II._Andante_Moderato.ogg 12,882,251
Symphony_No._4_in_E_Minor__Op._98_-_III._Allegro_Giocoso.ogg 7,185,161
Symphony_No._4_in_E_Minor__Op._98_-_IV._Allegro_Energico_e_Passionato.ogg 12,761,071

da: www.musopen.org

Pubblico Dominio

Rachmaninoff suona Rachmaninoff e altri

1. MENDELSSOHN: Spinning Song, Op. 67, No. 4 (Songs Without words, No 34)
Victrola 78rpm disc 814-B
Recorded November 3, 1920

2. RACHMANINOFF: Prelude in C-Sharp Minor, Op. 3, No. 2
Victrola 78rpm disc 814-A
Recorded October 14, 1921

3. J. S. BACH: Sarabande
Victor 78rpm disc 6621-B
Recorded December 16, 1925

4. SCHUBERT: Impromptu in A-flat, Op. 90, No. 4
Victor 78rpm disc 6621-A
Recorded December 29, 1925

5. CHOPIN: Nocturne in E-flat Major, Op. 9, No. 2
Victor 78rpm disc 6731-B
Recorded April 5, 1927

6. PADEREWSKI: Minuet, Op. 14, No. 1
Victor 78rpm disc 6731-A
Recorded April 5, 1927

7. MENDELSSOHN: Spinning Song, Op. 67, No. 4
(Song Without Words, No. 34)
Victor 78rpm disc 1326-B (24646)
Recorded April 25, 1928

8. RACHMANINOFF: Prelude in C-sharp Minor, Op. 3, No. 2
Victor 78rpm disc 1326-A (25650)
Recorded April 4, 1928

9. CHOPIN: Waltz in E Minor, Op. post.
Victor 78rpm disc 1492-B (58415)
Recorded February 8, 1930

10. SCHUMANN: The Smuggler
(Der Contrabandiste, No. 9 of Spanisches Liederspiel)
(Arranged by Tausig)
Victor 78rpm disc 11-8593-A
Recorded in 1942

11. CHOPIN-LISZT: The Return Home
(No. 15 of Seventeen Polish Songs, Op. 74)
Victor 78rpm disc 11-8593-A
Recorded in 1942

12. CHOPIN-LISZT: Maiden’s Wish
(No. 1 of Seventeen Polish Songs, Op. 74)
Victor 78rpm disc 11-8593-B
Recorded in 1942

Digital transfer by F. Reeder
(higher bitrate – 6/13)

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

Download:

Filename
 
 
 
 
 
 
 
 
 
 
 
 

Johann Sebastian Bach – Variazioni Goldberg – Versione orchestrale – Adina Spire – Bezdin Ensemble – HIGH DEFINITION QUALITY

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble , vi offriamo la registrazione della versione orchestrale delle “Variazioni Goldberg” di Johann Sebstian Bach  in Alta Definizione.

La qualità tecnica dell’incisione (qui redistribuita in formato .AAC) non è comparabile alle registrazioni, d’epoca d’epoca e non, normalmente reperibili su classicistranieri.com.

La registrazione è disponibile:

a) per il download (in ALTA definizione):

01gv.aac
02gv.aac
03gv.aac

 

b) per l’ascolto on line attraverso il nostro player multimediale (in BASSA definizione)

(C) Adina Spire – Bezdin Ensemble – Tutti i diritti riservati
Pubblicato su gentile concessione

Johann Sebastian Bach – Suite n. 3 in Do Maggiore, BWV 1009 per violoncello solo – John Michel

JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_3_in_C_Prelude

JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_3_in_C_Courante

JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_3_in_C_Sarabande

JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_3_in_G_Bourees

JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_3_in_C_Gigue

 

Da: http://it.wikipedia.org/wiki/Suite_per_violoncello_solo_%28Bach%29

Questo file è licenziato in base ai termini della licenza Creative Commons Attribuzione-Condividi allo stesso modo 3.0 Unported

Johann Sebastian Bach – Variazioni Goldberg – Glenn Gould – 1959

# Bach, Johann Sebastian (ruolo: Compositore)
# Gould, Glenn (ruolo: Pianista)

# Aria (formato OGG)

bach_bwv988_gg_01_aria

# Variazione 1 (formato OGG)

bach_bwv988_gg_02_var_01

# Variazione 2 (formato OGG)

bach_bwv988_gg_03_var_02

# Variazione 3: Canone all’Unisono (formato OGG)

bach_bwv988_gg_04_var_03

# Variazione 4 (formato OGG)

bach_bwv988_gg_05_var_04

# Variazione 5 (formato OGG)

bach_bwv988_gg_06_var_05

# Variazione 6: Canone alla Seconda (formato OGG)

bach_bwv988_gg_07_var_06

# Variazione 7 (formato OGG)

bach_bwv988_gg_09_var_08

# Variazione 8 (formato OGG)

bach_bwv988_gg_09_var_08

# Variazione 9: Canone alla Terza (formato OGG)

bach_bwv988_gg_10_var_09

# Variazione 10 (formato OGG)

bach_bwv988_gg_11_var_10

# Variazione 11 (formato OGG)

bach_bwv988_gg_12_var_11

# Variazione 12: Canone alla Quarta (formato OGG)

bach_bwv988_gg_13_var_12

# Variazione 13 (formato OGG)

bach_bwv988_gg_14_var_13

# Variazione 14 (formato OGG)

bach_bwv988_gg_15_var_14

# Variazione 15: Canone alla Quinta (formato OGG)

bach_bwv988_gg_16_var_15

# Variazione 16: Ouverture (formato OGG)

bach_bwv988_gg_17_var_16

# Variazione 17 (formato OGG)

bach_bwv988_gg_18_var_17

# Variazione 18: Canone alla Sesta (formato OGG)

bach_bwv988_gg_19_var_18

# Variazione 19 (formato OGG)

bach_bwv988_gg_20_var_19

# Variazione 20 (formato OGG)

bach_bwv988_gg_21_var_20

# Variazione 21: Canone alla Settima (formato OGG)

bach_bwv988_gg_22_var_21

# Variazione 22 (formato OGG)

bach_bwv988_gg_23_var_22

# Variazione 23 (formato OGG)

bach_bwv988_gg_24_var_23

# Variazione 24: Canone all’Ottava (formato OGG)

bach_bwv988_gg_25_var_24

# Variazione 25 (formato OGG)

bach_bwv988_gg_26_var_25

# Variazione 26 (formato OGG)

bach_bwv988_gg_27_var_26

# Variazione 27: Canone alla Nona (formato OGG)

bach_bwv988_gg_28_var_27

# Variazione 28 (formato OGG)

bach_bwv988_gg_29_var_28

# Variazione 29 (formato OGG)

bach_bwv988_gg_30_var_29

# Variazione 30: Quodlibet (formato OGG)

bach_bwv988_gg_31_var_30

# Aria da Capo (formato OGG)

bach_bwv988_gg_32_aria_da_capo

da: www.liberliber.it

http://creativecommons.org/licenses/by-nc-sa/2.5/

Johann Sebastian Bach – Doppio concerto in re minore BWV 1043

J. S. BACH: Double Concerto in D Minor, BWV 1043

Yehudi Menuhin, violin
Georges Enesco, violin
Symphony Orchestra of Paris
Pierre Monteux, conductor

I. Vivace

01. I. Vivace

II. Largo ma non troppo

02. II. Largo ma non troppo

III. Allegro

03. III. Allegro

 

Victor 78rpm Album DM 932 (11-8603 – 11-8604)
Recorded in 1932
Digital transfer by F. Reeder
(High bit rate)

This audio is part of the collection: Community Audio
It also belongs to collection:

Artist/Composer: Yehudi Menuhin / Georges Enesco, violin
Keywords: J. S. Bach; Menuhin; Enesco; Monteux; 78rpm

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

Johann Sebastian Bach – Sei suites per violoncello solo – Claudio Ronco (Violoncello)

Suite n.1, in Sol maggiore
violoncello G.B. Guadagnini, Milano 1745:

Filename Size Date
 
1,309,448  11/07/13  10:18 pm
 
4,780,536  11/07/13  10:18 pm
 
4,142,939  11/07/13  10:18 pm
 
1,158,608  11/07/13  10:18 pm
 
1,778,168  11/07/13  10:19 pm
 
973,568  11/07/13  10:20 pm

Suite n.2, in Re minore
violoncello A. Casini, Modena 1673:

Filename Size Date
 
3,679,214  11/07/13  10:23 pm
 
3,773,255  11/07/13  10:23 pm
 
2,682,904  11/07/13  10:23 pm
 
1,991,648  11/07/13  10:23 pm
 
1,644,608  11/07/13  10:23 pm
 
1,557,848  11/07/13  10:23 pm

Suite n.3, in Do maggiore
violoncello A. Casini:

Filename Size Date
 
3,791,018  11/07/13  10:25 pm
 
4,293,091  11/07/13  10:25 pm
 
3,000,030  11/07/13  10:25 pm
 
3,852,667  11/07/13  10:25 pm
 
4,052,765  11/07/13  10:25 pm
 
3,572,634  11/07/13  10:25 pm

Suite n.4, in Mi bemolle maggiore
violoncello Jean Ouvrard, Parigi 1745:

Filename Size Date
 
4,101,875  11/07/13  10:29 pm
 
2,207,288  11/07/13  10:30 pm
 
2,759,442  11/07/13  10:30 pm
 
2,263,448  11/07/13  10:31 pm
 
2,237,528  11/07/13  10:31 pm
 
3,247,148  11/07/13  10:32 pm

Suite n.5, in Do minore
violoncello di G.B. Guadagnini:

Filename Size Date
 
5,597,385  11/07/13  10:32 pm
 
8,399,018  11/07/13  10:33 pm
 
2,620,732  11/07/13  10:33 pm
 
2,782,691  11/07/13  10:33 pm
 
5,071,540  11/07/13  10:33 pm
 
1,438,328  11/07/13  10:33 pm

Suite n.6, in Re maggiore
violoncello a cinque corde di anonimo fiammingo,
seconda metà XVII Sec.:

Filename Size Date
 
4,730,381  11/07/13  10:34 pm
 
6,837,522  11/07/13  10:34 pm
 
4,296,226  11/07/13  10:34 pm
 
5,572,046  11/07/13  10:35 pm
 
4,406,985  11/07/13  10:35 pm
 
4,567,377  11/07/13  10:35 pm

 

Tratto da http://users.libero.it/claudioronco/musamples.htm
Pubblicato su gentile concessione di Claudio Ronco.

Tutti i diritti riservati.

Johann Sebastian Bach – Variazioni Goldberg BWV 988 – Kimiko Ishizaka – Open Goldberg Variation Project

WAV 24b / 44K

01_opengoldbergvariations-score.pdf 1,195,912   6/01/12  11:36 am
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 01 – Aria__44k-24b.wav 79,253,036   5/29/12  8:36 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 02 – Variatio 1 a 1 Clav.__44k-24b.wav 30,552,524   5/29/12  8:39 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 03 – Variatio 2 a 1 Clav.__44k-24b.wav 32,743,412   6/02/12  8:47 am
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 04 – Variatio 3 a 1 Clav. Canone all Unisuono__44k-24b.wav 30,898,268   5/29/12  8:44 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 05 – Variatio 4 a 1 Clav.__44k-24b.wav 18,144,548   5/29/12  8:46 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 06 – Variatio 5 a 1 ovvero 2 Clav.__44k-24b.wav 24,925,364   5/29/12  8:48 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 07 – Variatio 6 a 1 Clav. Canone alla Seconda__44k-24b.wav 25,955,540   5/29/12  8:51 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 08 – Variatio 7 a 1 ovvero 2 Clav.__44k-24b.wav 34,994,282   6/02/12  7:51 am
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 09 – Variatio 8 a 2 Clav.__44k-24b.wav 30,827,708   5/29/12  8:57 pm
KIMIKO ISHIZAKA – Goldberg Variations BWV 988 – 10 – Variatio 9 a 1 Clav. Canone alla Terza__44k-24b.wav 33,403,142   5/29/12  9:00 pm
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The Open Goldberg Variations by Kimiko Ishizaka are free to download and share. They are governed by the Creative Commons Zero license, which means that they are a part of the public domain.

Johann Sebastian Bach – Variazioni Goldberg BWV 988 – Wanda Landowska – 1945


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J. S. BACH: Goldberg Variations
Wanda Landowska, harpsichord

Victor 78rpm Album DM 1022 (11-8933 – 11-8938)
Recorded in New York, June, 1945
Digital transfer by F. Reeder
(High bit rate)

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Johann Sebastian Bach – Magnificat in Re maggiore BWV 243 – 1953 – Von Karajan


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Attribuzione: Bundesarchiv, Bild 183-S47421 / CC-BY-SA - Questo file è licenziato in base ai termini della licenza Creative Commons Attribuzione-Condividi allo stesso modo 3.0 Germania

 

Bach, Johann Sebastian (ruolo: Compositore)
Coro di Roma della RAI (ruolo: Coro)
Dominguez, Oralia (ruolo: Mezzosoprano)
Gedda, Nicolai (ruolo: Tenore)
Karajan, Herbert von (ruolo: Direttore)
Orchestra sinfonica di Roma della RAI (ruolo: Orchestra)
Orell, Ester (ruolo: Soprano)
Schwarzkopf, Elisabeth (ruolo: Soprano)
Tadeo, Giorgio (ruolo: Basso)

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Walter Gieseking suona Bach, Ravel, Chopin, Debussy, Beethoven

J. S. BACH: Jesu, Joy of Man’s Desiring from Cantata No. 147
(arr. Myra Hess)
Columbia 78rpm disc 17150-D (WCO 24329-A)
Recorded April 5, 1939

J. S. BACH: Gigue from French Suite No. 5
Columbia 78rpm disc 17150-D (WCO 24330-A)
Recorded April 5, 1939

BEETHOVEN: Bagatelle in E-flat Major, Op. 33, No. 1
Columbia 78rpm disc 69478-D (CRX94)
Recorded August 11, 1938

CHOPIN: Barcarolle in F-Sharp Major, Op. 60
Columbia 78rpm disc 71026-D (CRX 82, CRX 83)
Recorded in 1940

RAVEL: Ondine (“Gaspard de la Nuit” – No. 1)
DEBUSSY: Poissons d’or (Goldfish) (“Images” – Set No. 22, No. 3)
Columbia 78rpm disc 69020-D (CAX 7920, 7921)
Recorded in January, 1937

Digital transfer by F. Reeder
(Higher bit rate – 6/13)

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

Digital transfer by F. Reeder
(Higher bit rate – 6/13)

Johann Sebastian Bach – Ferruccio Busoni – Toccata, Intermezzo e Fuga in Do maggiore BWV 564 – Arthur Runinstein – 1936

J. S. BACH (arr. BUSONI): Toccata, Intermezzo and Fugue in C Major, BWV 564

Arthur Rubinstein, piano

Victor 78rpm discs 8895 & 8896
Recorded in 1936
Digital transfer by F. Reeder
(Higher bit rate – 6/13)

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

Johann Sebastian Bach – Sonate per violino – Voices of Music

Of the Fugue, violinist Carla Moore writes: “What a wonderful surprise was in store when I opened the score of Bach’s complete sonatas for violin and harpsichord, and discovered the G Minor Fugue. I had never come across this work before – it is not in any edition of the sonatas I have seen, and is not part of the standard Bach sonata repertory. It reminded me of the excitement and thrill of discovery I experienced in college when I began performing music by composers not taught in the modern violin curriculum – Biber, Castello and Couperin – and how it changed forever the way I think about music. What a wonderful treat it has been to learn this suspenseful, high-energy piece.”

[hifi lofi] 01-Adagio Sonata For Violin and Continuo In G Major BMV 1021 (3:46)
[hifi lofi] 02-Vivace Sonata For Violin and Continuo In G Major BMV 1021 (0:59)
[hifi lofi] 03-Largo Sonata For Violin and Continuo In G Major BMV 1021 (2:23)
[hifi lofi] 04-Presto Sonata For Violin and Continuo In G Major BMV 1021 (1:22)
[hifi lofi] 05-Largo Sonata In C Minor For Violin and Harpsichord BMV 1017 (4:05)
[hifi lofi] 06-Allegro Sonata In C Minor For Violin and Harpsichord BMV 1017 (4:31)
[hifi lofi] 07-Adagio Sonata In C Minor For Violin and Harpsichord BMV 1017 (3:01)
[hifi lofi] 08-Allegro Sonata In C Minor For Violin and Harpsichord BMV 1017 (4:43)
[hifi lofi] 09-Allegro Adagio Ma Non Tanto Sonata In E Minor For Violin and Continuo In G Major BMV 1023 (4:16)
[hifi lofi] 10-Allemanda Sonata In E Minor For Violin and Continuo In G Major BMV 1023 (3:57)
[hifi lofi] 11-Gigue Sonata In E Minor For Violin and Continuo In G Major BMV 1023 (2:49)
[hifi lofi] 12-Dolce Sonata In A Major For Violin and Harpsichord BMV 1015 (2:29)
[hifi lofi] 13-Allegro Sonata In A Major For Violin and Harpsichord BMV 1015 (3:12)
[hifi lofi] 14-Andante Un Poco Sonata In A Major For Violin and Harpsichord BMV 1015 (2:50)
[hifi lofi] 15-Presto Sonata In A Major For Violin and Harpsichord BMV 1015 (4:20)
[hifi lofi] 16-Fugue In G Minor For Violin and Continuo BWV 1026 (4:36)

 


JS Bach Violin Sonatas by Voices of Music

Ernst Stolz – Sonate tedesche per viola da gamba

German Sonatas for Viola da Gamba from the Baroque period.

On this album you will find some very fine sonatas and a suite from German composers who have been living between 1659 and 1787.
The viola da gamba came somewhat late in Germany. In 1571 a merchant bought a “chest of viols” made in London for the court in Munich. The viol was used in consorts and vocal ensembles, often played by English violists, like John Cooper. Then came the Thirty Years’ War (1618-1648) resulting in a decrease of cultural life.

From Northern Germany, with the rich Hanseatic cities, there developed an important school of viol music. Composers like Buxtehude, Matthias Weckmann and Franz Tunder composed music for the instrument. Builders like Tielke made abundantly ornamented instruments. The nobility discovered the viola da gamba. Frierich Wilhelm von Brandenburg, Max Emanuel von Bayern, Leopold von Anhalt-Köthen and Friedrich Wilhelm von Preußen, played the instrument.
[hifi lofi] 01-Andante Sonata No1 Viola da Gamba solo (and basso continuo) in C Major (Johann Friedrich Ruhe) (2:34)
[hifi lofi] 02-Allegro Sonata No1 Viola da Gamba solo (and basso continuo) in C Major (Johann Friedrich Ruhe) (2:13)
[hifi lofi] 03-Presto Sonata No1 Viola da Gamba solo (and basso continuo) in C Major (Johann Friedrich Ruhe) (2:18)
[hifi lofi] 04-Adagio Sonata No2 in A Minor (Johann Friedrich Ruhe) (2:04)
[hifi lofi] 05-Allegro Sonata No2 in A Minor (Johann Friedrich Ruhe) (3:41)
[hifi lofi] 06-Tempo di Minuet Sonata No2 in A Minor (Johann Friedrich Ruhe) (4:13)
[hifi lofi] 07-Allemande Partie a Viola da Gamba solo com Cembalo D Minor (Theodor Schwartzkopff) (2:23)
[hifi lofi] 08-Courante Partie a Viola da Gamba solo com Cembalo D Minor (Theodor Schwartzkopff) (1:58)
[hifi lofi] 09-Sarabande Partie a Viola da Gamba solo com Cembalo D Minor (Theodor Schwartzkopff) (1:33)
[hifi lofi] 10-Gigue Partie a Viola da Gamba solo com Cembalo D Minor (Theodor Schwartzkopff) (1:11)
[hifi lofi] 11-(Allegro) Sonata in C Major (Johann Daniel Hardt) (0:52)
[hifi lofi] 12-Allemand Sonata in C Major (Johann Daniel Hardt) (1:05)
[hifi lofi] 13-Courand Sonata in C Major (Johann Daniel Hardt) (1:15)
[hifi lofi] 14-Gigue Sonata in C Major (Johann Daniel Hardt) (0:50)
[hifi lofi] 15-Saraband Sonata in C Major (Johann Daniel Hardt) (1:58)
[hifi lofi] 16-Minuet Sonata in C Major (Johann Daniel Hardt) (0:53)
[hifi lofi] 17-Largo Sonata in D Major Wiesentheid collection 1722 (Anonymous) (3:07)
[hifi lofi] 18-Allegro Sonata in D Major Wiesentheid collection 1722 (Anonymous) (2:40)
[hifi lofi] 19-Harlequinade Sonata in D Major Wiesentheid collection 1722 (Anonymous) (1:40)
[hifi lofi] 20-Marsch Sonata in D Major Wiesentheid collection 1722 (Anonymous) (1:14)
[hifi lofi] 21-Allegro Sonata in G Major WKO 144 (Carl Friedrich Abel) (2:55)
[hifi lofi] 22-Adagio Sonata in G Major WKO 144 (Carl Friedrich Abel) (1:33)
[hifi lofi] 23-Minuetto Sonata in G Major WKO 144 (Carl Friedrich Abel) (1:24)
[hifi lofi] 24-(Adagio) Sonata for Viola da Gamba solo WKO 155 (Carl Friedrich Abel) (2:32)
[hifi lofi] 25-Allegro Sonata for Viola da Gamba solo WKO 155 (Carl Friedrich Abel) (2:26)
[hifi lofi] 26-Minuet Sonata for Viola da Gamba solo WKO 155 (Carl Friedrich Abel) (2:16)
[hifi lofi] 27-Allegro Sonata Cembalo Viola da Gamba G Major War B 4b (Johann Christian Bach) (6:24)
[hifi lofi] 28-Rondeau Sonata Cembalo Viola da Gamba G Major War B 4b (Johann Christian Bach) (3:43)

 

 


German Viola da Gamba Sonatas by Ernst Stolz

Brahms – Godowsky – Trascendental (Transcriptions) – Ivan Ilic

Renowned for their technical difficulty, Ivan Ilić presents Godowsky’s Studies on Chopin’s études. Critic Harold C. Schonberg called them “the most impossibly difficult things ever written for the piano.” Ilic also presents JS Bach’s D minor Chaconne, transcribed to the left hand by Brahms. An interesting set of left-hand piano pieces from the greats (Bach and Chopin), as interpeted for a more contemporary setting.[

hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Chaconne In D Minor For The Left Hand Alone (1879) (JS Bach-Johannes Brahms) (13:30)
[hifi lofi] 02-No 5 In D Flat Major ‘Tristesse’ – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (5:05)
[hifi lofi] 03-No 45a In D Flat Major – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (1:58)
[hifi lofi] 04-No 28 In F Minor – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (1:52)
[hifi lofi] 05-No 13 In E Flat Minor – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (3:32)
[hifi lofi] 06-No 18a In F Sharp Minor – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (4:38)
[hifi lofi] 07-No 21 In A Major – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (3:53)
[hifi lofi] 08-No 40 In G Flat Major – Eight Etudes For The Left Hand Alone (Frederic Chopin-Leopold Godowsky) (1:36)
[hifi lofi] 09-No 22 In C Sharp Minor ‘Revolutionary’ – Eight Etudes For The Left Hand Alone (Chopin – Godowsky) (3:20)

 


Transcendental – Transcriptions by Brahms and Godowsky by Ivan Ilic

Johann Sebastian Bach – Opere per clavicembalo – Katherine Shao

Katherine Shao - Archivio Magnatune

 Johann Sebastian Bach’s harpsichord music perfectly embodies the sometimes contradictory nature of the instrument. From the languid lute-like textures borrowed from the French clavecinistes, to the abstract clarity that made it the supreme vehicle for the rigor of his counterpoint, Bach’s music blends these elements with such mastery that it achieves a timeless crystallization of the sensual and the intellectual, the antique and the modern. His compositions define the harpsichord at least as much as the harpsichord, above all other instruments, defines Bach.

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Partita No 2 in C Minor BWV 826 – Sinfonia – Andante – Allegro (JS Bach) (5:10)
[hifi lofi] 02-Partita No 2 in C Minor BWV 826 – Allemande (JS Bach) (5:39)
[hifi lofi] 03-Partita No 2 in C Minor BWV 826 – Courante (JS Bach) (2:47)
[hifi lofi] 04-Partita No 2 in C Minor BWV 826 – Sarabande (JS Bach) (3:32)
[hifi lofi] 05-Partita No 2 in C Minor BWV 826 – Rondeau (JS Bach) (1:50)
[hifi lofi] 06-Partita No 2 in C Minor BWV 826 – Capriccio (JS Bach) (4:17)
[hifi lofi] 07-Toccata in E Minor BWV 914 – Prelude – (JS Bach) (0:45)
[hifi lofi] 08-Toccata in E Minor BWV 914 – un poco allegro (a 4 voci) (JS Bach) (1:54)
[hifi lofi] 09-Toccata in E Minor BWV 914 – Adagio (JS Bach) (2:01)
[hifi lofi] 10-Toccata in E Minor BWV 914 – Fuga (a 3 voci) Allegro (JS Bach) (3:19)
[hifi lofi] 11-Fantasie and Fugue in A Minor BWV 904 – Fantasie (JS Bach) (4:14)
[hifi lofi] 12-Fantasie and Fugue in A Minor BWV 904 – Fugue (JS Bach) (6:09)
[hifi lofi] 13-Prelude Fugue and Allegro BWV 998 – Prelude (JS Bach) (2:37)
[hifi lofi] 14-Prelude Fugue and Allegro BWV 998 – Fugue (JS Bach) (5:13)
[hifi lofi] 15-Prelude Fugue and Allegro BWV 998 – Allegro (JS Bach) (3:28)

da:

 

 

Ralph Rousseau Meulenbroeks – Christmas Carols

A wide array of traditional christmas carols become rich, resonant poetry in the hands of virtuoso viola da gamba player, Ralph Rousseau Meulenbroeks. Meulenbroeks Strikes just the right balance between an elegant and a rustic mood on this solo album of holiday music, and his burnished versions of carols like “Oh Come All Ye Faithful” (“Komt allen tezamen”) and “Silent Night” (“Stille Nacht”) usher you directly into the fire lit parlor of the real Christmas.

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Nu zit wellekome (trad) (1:37)
[hifi lofi] 02-On Christmas night all Christians sing (trad) (1:38)
[hifi lofi] 03-The first Nowell (trad) (2:07)
[hifi lofi] 04-Midden in de winternacht (trad) (2:00)
[hifi lofi] 05-De herdetjes lagen bij nachte (trad) (1:48)
[hifi lofi] 06-Komt allen tezamen (trad) (2:12)
[hifi lofi] 07-Wohl mir dass ich Jesum habe (JS Bach) (3:29)
[hifi lofi] 08-God rest you merry gentlemen (trad) (1:56)
[hifi lofi] 09-This endris night (trad) (1:44)
[hifi lofi] 10-While shepherds watched their flocks (trad) (1:42)
[hifi lofi] 11-Tis geboren (trad) (1:35)
[hifi lofi] 12-Still still still (trad) (1:44)
[hifi lofi] 13-Laat nu alle droefheid vluchten (trad) (1:54)
[hifi lofi] 14-The Lord at first did Adam make (trad) (2:06)
[hifi lofi] 15-Jingle Bells (Pierpoint) (2:12)
[hifi lofi] 16-Stille Nacht (Gruber) (3:15)
da: www.magnatune.com

Ralph Rousseau Meulenbroeks – Back with Bach

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Sonata BWV 1027 in G major: adagio (4:03)
[hifi lofi] 02-Sonata BWV 1027 in G major: allegro ma non tanto (3:35)
[hifi lofi] 03-Sonata BWV 1027 in G major: andante (2:10)
[hifi lofi] 04-Sonata BWV 1027 in G major: adagioallegro moderato (3:09)
[hifi lofi] 05-Sonata BWV 1028 in D major: adagio (2:03)
[hifi lofi] 06-Sonata BWV 1028 in D major: allegro (3:52)
[hifi lofi] 07-Sonata BWV 1028 in D major: andante (4:52)
[hifi lofi] 08-Sonata BWV 1028 in D major: allegro (3:59)
[hifi lofi] 09-Sonata BWV 1029 in g minor: vivace (5:11)
[hifi lofi] 10-Sonata BWV 1029 in g minor: adagio (5:39)
[hifi lofi] 11-Sonata BWV 1029 in g minor: allegro (3:35)
da: http://www.magnatune.com

Johann Sebastan Bach – Trascrizioni per chitarra a otto corde – Daniel Estrem

The more I study and play the music of J. S. Bach the more I realize how incredibly adept he was at assimilating a variety of styles and somehow making it all his own. Each piece has its own unique flavor and when listening to a lot of western music written after Bach’s time (regardless of genre) much of it seems to be derived from the master.

The 8-string allowed me to preserve the intervals and keep the music true to the composer’s intentions. The only way for me to maintain Bach’s polyphonic lines was to multi-track 2 or 3 parts. Most of the pieces required the time-consuming task of transposing the music into guitar-compatible keys. I used an 8-string guitar made by Stephen Kakos for the lower notes and a 6-string guitar made by German Vazquez Rubio for the higher end.

Vol. 1

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Jesu Joy of Man’s Desiring from Cantata BWV 147 (3:24)
[hifi lofi] 02-Gavotte from French Suite No.5 BWV 816 (1:22)
[hifi lofi] 03-Allemande from French Suite No.5 BWV 816 (3:16)
[hifi lofi] 04-Sinfonia 11 BWV 797 (3:25)
[hifi lofi] 05-Sleepers Awake (Wachet Auf) BWV 645 (3:28)
[hifi lofi] 06-Sinfonia 2 BWV 788 (2:28)
[hifi lofi] 07-Air on the G String from Orchestral Suite No 3 BWV 1068 (4:14)
[hifi lofi] 08-Invention 4 BWV 775 (1:07)
[hifi lofi] 09-Prelude 1 Book 1 Well-Tempered Clavier BWV 846 (2:08)
[hifi lofi] 10-Invention 6 BWV 777 (2:53)
[hifi lofi] 11-Sarabande from French Overture BWV 831 (3:01)
[hifi lofi] 12-Bourree 1 and 2 from French Overture BWV 831 (3:22)
[hifi lofi] 13-Arioso Sinfonia from Cantata BWV 156 (3:44)
[hifi lofi] 14-Sinfonia 13 BWV 799 (2:07)
[hifi lofi] 15-Ich Ruf Zu Dir BWV 639 (2:45)
[hifi lofi] 16-Sheep May Safely Graze from Cantata BWV 208 (4:56)
[hifi lofi] 17-Prelude 12 Book 1 WTC BWV 857 (3:49)
[hifi lofi] 18-Bourree 1 and 2 from English Suite No.2 BWV 807 (5:53)
[hifi lofi] 19-Sarabande from English Suite No.2 BWV 807 (2:56)
[hifi lofi] 20-Gigue from English Suite No.2 BWV 807 (1:48)
[hifi lofi] 21-Aria from Goldberg Variations BWV 988 (3:09)
[hifi lofi] 22-Variation 1 from Goldberg Variations BWV 988 (2:37)
[hifi lofi] 23-Sinfonia 7 BWV 793 (2:29)
[hifi lofi] 24-Minuet from Anna Magdalena notebook (1725) BWV Anh 118 (1:09)
[hifi lofi] 25-Fantasie BWV 904 (3:50)


JS Bach on 8 string guitar, vol 1 by Daniel Estrem

 

Vol. 2

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Prelude 9 Book 2 Well-Tempered Clavier BWV 878 (3:49)
[hifi lofi] 02-Prelude 18 Book 2 Well-Tempered Clavier BWV 887 (4:16)
[hifi lofi] 03-Siciliano from Flute Sonata No 2 BWV 1031 (3:31)
[hifi lofi] 04-Prelude 10 Book 1 Well-Tempered Clavier BWV 855 (2:32)
[hifi lofi] 05-Prelude 9 Book 1 Well-Tempered Clavier BWV 854 (1:18)
[hifi lofi] 06-Prelude 22 Book 1 Well-Tempered Clavier BWV 867 (3:19)
[hifi lofi] 07-Prelude 21 Book 2 Well-Tempered Clavier BWV 890 (4:39)
[hifi lofi] 08-Prelude 2 Book 1 Well-Tempered Clavier BWV 847 (2:10)
[hifi lofi] 09-Fugue 2 Book 1 Well-Tempered Clavier BWV 847 (1:58)
[hifi lofi] 10-Prelude 16 Book 1 Well-Tempered Clavier BWV 861 (2:18)
[hifi lofi] 11-Andante from Italian Concerto BWV 971 (5:12)
[hifi lofi] 12-Prelude 3 Book 2 Well-Tempered Clavier BWV 872 (1:53)
[hifi lofi] 13-Prelude 8 Book 1 Well-Tempered Clavier BWV 853 (3:44)
[hifi lofi] 14-Prelude 19 Book 2 Well-Tempered Clavier BWV 888 (1:48)
[hifi lofi] 15-Prelude 4 Book 1 Well-Tempered Clavier BWV 849 (3:14)
[hifi lofi] 16-Prelude 7 Book 2 Well-Tempered Clavier BWV 876 (2:39)
[hifi lofi] 17-Prelude 4 Book 2 Well-Tempered Clavier BWV 873 (4:24)
[hifi lofi] 18-Prelude 6 Book 1 Well-Tempered Clavier BWV 851 (2:04)
[hifi lofi] 19-Prelude 18 Book 1 Well-Tempered Clavier BWV 863 (1:41)
[hifi lofi] 20-Prelude 24 Book 2 Well-Tempered Clavier BWV 893 (2:51)
[hifi lofi] 21-Prelude 14 Book 2 Well-Tempered Clavier BWV 883 (3:15)
[hifi lofi] 22-In dir ist Freude (In Thee is Gladness) BWV 615 (2:41)
[hifi lofi] 23-Prelude 12 Book 2 Well-Tempered Clavier BWV 881 (3:23)
[hifi lofi] 24-Ich Habe Genug (My life is fulfilled) Aria excerpt BWV 82 (3:57)
[hifi lofi] 25-Ave Maria (Bach Gounod) (3:22)
[hifi lofi] 26-Prelude 23 Book 1 Well-Tempered Clavier BWV 868 (1:06)

 


JS Bach on 8 string guitar, vol 2 by Daniel Estrem

Johann Sebastian Bach – Sei suites per violoncello trascritte per chitarra a otto corde – Daniel Estrem

The 6 Suites for Unaccompanied Cello (circa 1720) contain a wide emotional range and their intimacy has made them amongst J.S. Bach’s most popular works today. Portions of the suites have been transcribed for a great variety of instruments. There have been several transcriptions for the standard 6-string guitar that require transposing the cello score into the higher range of the guitar. Most of the transcribers have liberally added extra bass notes and harmonies to “enhance” the comparatively sparse cello score.

Daniel Estrem’s recordings of the first three suites are in their original keys and are read from the original bass clef (normally guitar music is written in the treble clef). The extended lower range of the 8-string guitar allows the performer to play the same notes as the cello. Using this approach there is no apparent need to add any extra notes or improve on the composer’s score.

Vol. 1

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Suite 1 in G Major Prelude (2:41)
[hifi lofi] 02-Suite 1 in G Major Allemande (3:57)
[hifi lofi] 03-Suite 1 in G Major Courante (2:48)
[hifi lofi] 04-Suite 1 in G Major Sarabande (2:46)
[hifi lofi] 05-Suite 1 in G Major Menuet 1 and 2 (3:11)
[hifi lofi] 06-Suite 1 in G Major Gigue (1:48)
[hifi lofi] 07-Suite 2 in D Minor Prelude (3:22)
[hifi lofi] 08-Suite 2 in D Minor Allemande (3:15)
[hifi lofi] 09-Suite 2 in D Minor Courante (2:37)
[hifi lofi] 10-Suite 2 in D Minor Sarabande (3:46)
[hifi lofi] 11-Suite 2 in D Minor Menuet 1 and 2 (2:48)
[hifi lofi] 12-Suite 2 in D Minor Gigue (2:54)
[hifi lofi] 13-Suite 3 in C Major Prelude (4:01)
[hifi lofi] 14-Suite 3 in C Major Allemande (3:42)
[hifi lofi] 15-Suite 3 in C Major Courante (3:42)
[hifi lofi] 16-Suite 3 in C Major Sarabande (3:45)
[hifi lofi] 17-Suite 3 in C Major Bouree 1 and 2 (3:23)
[hifi lofi] 18-Suite 3 in C Major Gigue (3:34)


Bach Cello Suites on 8 String Guitar by Daniel Estrem

Vol. 2

[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg,

 
)
[hifi lofi] 01-Suite 6 in D Major Prelude BWV 1012 (JS Bach) (5:01)
[hifi lofi] 02-Suite 6 in D Major Allemande BWV 1012 (JS Bach) (6:21)
[hifi lofi] 03-Suite 6 in D Major Courante BWV 1012 (JS Bach) (3:25)
[hifi lofi] 04-Suite 6 in D Major Sarabande BWV 1012 (JS Bach) (2:34)
[hifi lofi] 05-Suite 6 in D Major Gavotte 1 2 BWV 1012 (JS Bach) (4:15)
[hifi lofi] 06-Suite 6 in D Major Gigue BWV 1012 (JS Bach) (3:38)
[hifi lofi] 07-Suite 5 in C Minor Prelude BWV 1011 (JS Bach) (6:36)
[hifi lofi] 08-Suite 5 in C Minor Allemande BWV 1011 (JS Bach) (4:47)
[hifi lofi] 09-Suite 5 in C Minor Courante BWV 1011 (JS Bach) (2:31)
[hifi lofi] 10-Suite 5 in C Minor Sarabande BWV 1011 (JS Bach) (4:01)
[hifi lofi] 11-Suite 5 in C Minor Gavotte 1 2 BWV 1011 (JS Bach) (4:46)
[hifi lofi] 12-Suite 5 in C Minor Gigue BWV 1011 (JS Bach) (2:09)
[hifi lofi] 13-Suite 4 in E flat Major Prelude BWV 1010 (JS Bach) (5:12)
[hifi lofi] 14-Suite 4 in E flat Major Allemande BWV 1010 (JS Bach) (2:53)
[hifi lofi] 15-Suite 4 in E flat Major Courante BWV 1010 (JS Bach) (3:09)
[hifi lofi] 16-Suite 4 in E flat Major Sarabande BWV 1010 (JS Bach) (3:12)
[hifi lofi] 17-Suite 4 in E flat Major Bouree 1 2 BWV 1010 (JS Bach) (5:52)
[hifi lofi] 18-Suite 4 in E flat Major Gigue BWV 1010 (JS Bach) (3:09)

 




Bach Cello Suites on 8 String Guitar volume 2 by Daniel Estrem

Johann Sebastian Bach – Passione secondo Giovanni – Johannespassion – Adina Spire – Bezdin Ensemble – High Definition Music

Grazie alla cortesia, all’amabilità, alla generosità e alla specifica autorizzazione ottenuta da Adina Spire, e, per suo tramite, dal Bezdin Ensemble, vi offriamo la registrazione della “Passione Secondo Giovanni” (Johannespassion) di Johann Sebastian Bach in Alta Definizione.

La qualità tecnica dell’incisione (qui redistribuita in formato .AAC) non è comparabile alle normali registrazioni reperibili su classicistranieri.com.

La registrazione è disponibile:

a) per il download (in ALTA definizione):

Filename Size Date
jp01.aac 65,123,297  10/13/12  11:34 am
jp02.aac 79,356,059  10/13/12  11:37 am
jp03.aac 103,843,731  10/13/12  11:39 am
jp04.aac 78,508,184  10/13/12  11:37 am
jp05.aac 43,958,957  10/13/12  11:35 am
jp06.aac 42,651,786  10/13/12  11:35 am
jp07.aac 41,484,862  10/13/12  11:35 am

b) per l’ascolto on line attraverso il nostro player multimediale (in BASSA definizione)

(C) 2012 Adina Spire – Bezdin Ensemble. Tutti i diritti riservati. Pubblicato su gentile, esplicita e diretta autorizzazione di Adina Spire.

Alcune notizie sull’opera tratte da Wikipedia:

Download (PDF, 101KB)

Di seguito alcune notizie in lingua inglese su Adina Spire e sul Bezdin Ensemble:

Adina Spire is a classical composer and performer of sacred music for Catholic and Orthodox liturgies. She was born in Arad, Romania, on December 25th, 1977. At the age of four she began to study cello and later composition, first in Arad then in Switzerland  and Germany. She worked almost exclusively in her native Romania and in Russia as a sacred music composer, director of choir and orchestra and teacher of film composition. In 2008 she founded the Bezdin Ensemble, a specialized ensemble for sacred music, consisting of a chamber orchestra, choir and vocalists.

The Bezdin Ensemble usually performs Adina Spires works and traditional sacred works from Vivaldi, Bach to Mozart for concerts and liturgical events. Adina Spire is artistic director and conductor of the ensemble. Her compositional works and performance style are strongly influenced by the symbolism of traditional and contemporary Eastern European religious music incorporating elements of gypsy folk traditions.

The Bezdin Ensemble members are currently based near Nischni Nowgorod in Russia, where they have their own recording studio. Managing directors of the ensemble are Adriana Spire (Adina’s sister) and Olga Shtherbatova, produced by NC Productions in Switzerland. Olga Shtherbatova is also assistant conductor together with first violinist Sofia Minks.

It is impossible to fully appreciate the music of Adina Spire without an understanding of its historical context.  Its roots reach deeply into the traditional Romanian and Christian orthodox culture, with its shadow and mystery, under the bleak, searing light of her countrys recent struggle against its totalitarian government. In the 1989 Romanian Revolution and subsequent civil war, the country was thrown into chaos. Violence and suffering were everywhere.  Adina Spire found herself suddenly an orphan. With no one to help, and nowhere to go, she was placed in the orphanage of Bezdin, a monastery near Arad. Adina Spires music is a tapestry of complex, interrelated themes.  Grief, nostalgia, fear, solitude, hope, brutality, innocence, protest, sensuality and longing, all find expression in layers of overlapping sonic colors.
There is rebellion in her music.  It is the protest of the soul against the darkness of the Forgotten, hammering at the monolith of indifference. One can hear not only the cry of innocents dying in hunger, war, and neglect around the world today, but also of renewal, of solace, of the Divine. Adina Spires ideas and emotions form the harmonic and dynamic designs that frame her music.  There is a slowly shifting ambiguity, as intense feelings seem to peer out from behind a frozen and fearful facade. She freely utilizes folk and orthodox compositional idioms in her writing.  But her method is also influenced by the film-editing techniques taken from her work in the cinema. Often discarding orthodox modulation, the composer cuts abruptly between keys or slowly dissolves one chord into another by accumulating their pitches into blurred clusters.

The tonic at any given point in her score is a disputed issue. It may be suddenly established by the orchestra, and then completely absent. These arpeggio-clusters, which have their precedents in the cinematic soundtracks of suspense and horror movies, are tonal ambiguities themselves. Her layering of tonality and atonality, can suggest change, or hesitation, or at times, a wistful hope. In no other composer’s works do the solo instruments or the choir speak so quietly, nor do they venture such modest pitch excursions so diffidently, before a wall of atonal abstraction. Often, tempos are so slow as to give the impression of motionlessness.  This effect is sustained even when short note-values are in play, by the use of small and very simple progressions, tense pedal points, and agonized suspensions. Adina Spire works with extreme contrasts between moments of tonal delicacy and cataclysmic avalanches of atonal sound. Between these extremes, time seems to stand still, while the music pivots from key to key, as if gradually shifting its viewpoint.  She uses timbre as lighting, and sound positioning as camera angle, in her three-dimensional orchestrations.  Her cinematic compositions are the work of a personal and uniquely moving voice.

(da: http://www.adinaspire.net)

Dark Harpsichord Music – Colin Booth

[hifi lofi] 01-Prelude – Evening (1:04)
[hifi lofi] 02-Prelude in G Minor (JH D’Anglebert) (2:03)
[hifi lofi] 03-Allemande In G Major (A-L Couperin) (9:35)
[hifi lofi] 04-Air in G Minor (12 Suites Of 1714) (J Mattheson) (2:09)
[hifi lofi] 05-Link (0:23)
[hifi lofi] 06-Prelude In F Major (L Couperin) (3:07)
[hifi lofi] 07-Andante (Sonata In F Major W62:6) (CPE Bach) (3:29)
[hifi lofi] 08-Link (0:05)
[hifi lofi] 09-Prelude In D Minor (JH D’Anglebert) (4:34)
[hifi lofi] 10-Link (0:19)
[hifi lofi] 11-Chaconne In A Minor (From Violin Partita In D Minor arr C Booth) (JS Bach) (12:40)
[hifi lofi] 12-Prelude In A Major (L’Art De Toucher Le Clavecin) (F Couperin) (2:56)
[hifi lofi] 13-Overture To Orpheus (L Andriessen) (12:56)
[hifi lofi] 14-Passacaille In G Minor (L Couperin) (5:12)
[hifi lofi] 15-Postlude – Towards Night (1:44)

 


Dark Harpsichord Music by Colin Booth